About: 297   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

At the Evans cottage, Joe Haskell has spent the night on the couch in order to guard Maggie Evans. He wakes, and Sam Evans brings in a tray of coffee. Joe confides his worry over Maggie's safety, and he is afraid the person responsible for her kidnapping might try to get to her again.

AttributesValues
rdfs:label
  • 297
  • 297
  • 297
  • 297
rdfs:comment
  • El dos cientos noventa y siete (297) es el número natural que sigue al 296 y precede al 298. Categoría:Números
  • Völlig durcheinander von dem Kuss mit Maximilian, wachsen Jennys Zweifel an der Ehe mit Axel. Auch Simone und Richard haben einen Plan entworfen, wie sie ihre Tochter aus der misslichen Lage befreien können: Sie haben einen falschen Standesbeamten engagiert. Doch Axel durchkreuzt die Pläne. Alle Versuche der Steinkamps, Jenny vor der Hochzeit mit Axel und den daraus resultierenden Konsequenzen zu bewahren, sind gescheitert. Julian steht Tims Produzenten-Karriere kritisch gegenüber. Während Julian im Gespräch mit Diana einsieht, dass er Tim loslassen muss, fährt der mit seinen naiven Vorstellungen aber tatsächlich voll gegen die Wand. Erschüttert von der Annäherung zwischen Deniz und Roman flüchtet sich Nina in die Bar, wo sie Trost bei Mike sucht. Es kommt zu einem Kuss zwischen den beiden
  • At the Evans cottage, Joe Haskell has spent the night on the couch in order to guard Maggie Evans. He wakes, and Sam Evans brings in a tray of coffee. Joe confides his worry over Maggie's safety, and he is afraid the person responsible for her kidnapping might try to get to her again.
sameAs
dcterms:subject
bottomimage
  • 297(xsd:integer)
PrevEp
NextEp
tapedate
  • 1967-08-02(xsd:date)
dbkwik:l5r/property/wikiPageUsesTemplate
Number
  • 293(xsd:integer)
Timeline
  • 1967(xsd:integer)
Narrator
Airdate
  • 1967-08-15(xsd:date)
dbkwik:darkshadows...iPageUsesTemplate
dbkwik:alleswaszae...iPageUsesTemplate
dbkwik:numbers/pro...iPageUsesTemplate
dbkwik:bezsensoped...iPageUsesTemplate
Video
topimage
  • 297(xsd:integer)
Writer
Director
abstract
  • At the Evans cottage, Joe Haskell has spent the night on the couch in order to guard Maggie Evans. He wakes, and Sam Evans brings in a tray of coffee. Joe confides his worry over Maggie's safety, and he is afraid the person responsible for her kidnapping might try to get to her again. Sam concurs; Maggie will have to be watched even more closely than before. He suggests moving away from Collinsport altogether and, as much as Joe would hate to see them leave, he admits it might be a good idea. Having wakened, Maggie comes in and appears in perfect health and good spirits. She's anxious to put the past behind her, and talks about returning to work at the coffee shop. Sam hotly disagrees. He relates his fear for her safety, but Maggie isn't afraid and refuses to live in fear. Later, Maggie, alone in her room, sits down to read when Sarah appears in the open French doors. Maggie invites her inside, although she doesn't recognize her. She agrees to play a game of catch with Sarah, and the little girl urges her to sing London Bridge with her. Sarah becomes upset and begins to cry when Maggie admits to not remembering her. She takes back her doll, and runs out the doors. That night, Maggie holds the sketch Sam made of Sarah. Neither one of them knows who the little girl might be, or where she comes from. Maggie implores her father to help her find Sarah. Sam promises to try. Barnabas Collins pays a visit to the cottage, inquiring about Maggie. He learns that Maggie has no memory of her ordeal whatsoever, and finds that, when she sees him, Maggie has no adverse reaction to his presence. Sam has a painting he needs to deliver, and asks Barnabas to stay with Maggie while he is gone. Barnabas happily agrees. Alone with Maggie, Barnabas subtly questions her but she cannot remember anything of her ordeal. He wonders if she might recognize her kidnapper if she saw him. Maggie doesn't know, but hopes so. She describes her experience with the little girl earlier in the day. Barnabas grows alarmed when Maggie tells him the girl's name is Sarah, and that she might hold the key to helping her regain her lost memory. Later that night, all is quiet at the Evans cottage. Maggie is asleep; Barnabas appears at the French doors and stalks toward her bed. He reaches for a pillow with which to smother her. But the sound of Sarah singing London Bridge stops the vampire in his tracks. He whispers Sarah's name, and backs out of the room as he wonders what she wants of him.
  • Völlig durcheinander von dem Kuss mit Maximilian, wachsen Jennys Zweifel an der Ehe mit Axel. Auch Simone und Richard haben einen Plan entworfen, wie sie ihre Tochter aus der misslichen Lage befreien können: Sie haben einen falschen Standesbeamten engagiert. Doch Axel durchkreuzt die Pläne. Alle Versuche der Steinkamps, Jenny vor der Hochzeit mit Axel und den daraus resultierenden Konsequenzen zu bewahren, sind gescheitert. Julian steht Tims Produzenten-Karriere kritisch gegenüber. Während Julian im Gespräch mit Diana einsieht, dass er Tim loslassen muss, fährt der mit seinen naiven Vorstellungen aber tatsächlich voll gegen die Wand. Erschüttert von der Annäherung zwischen Deniz und Roman flüchtet sich Nina in die Bar, wo sie Trost bei Mike sucht. Es kommt zu einem Kuss zwischen den beiden, der eine Kette von unheilvollen Ereignissen ins Rollen bringt...
  • El dos cientos noventa y siete (297) es el número natural que sigue al 296 y precede al 298. Categoría:Números
is PrevEp of
is NextEp of
Alternative Linked Data Views: ODE     Raw Data in: CXML | CSV | RDF ( N-Triples N3/Turtle JSON XML ) | OData ( Atom JSON ) | Microdata ( JSON HTML) | JSON-LD    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 07.20.3217, on Linux (x86_64-pc-linux-gnu), Standard Edition
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2012 OpenLink Software