| rdfs:comment
| - Near-indestructible serial killers stalking attractive young girls, a combination that allows for buckets of gore and enough flesh to titillate. The killers, mostly driven by Revenge, are Made of Iron, at a minimum, and usually Implacable. Many are explicitly supernatural. All of them can appear and disappear as if by magic, and the corpses of their victims are equally elusive. A slasher killer can whisk away a full grown adult's corpse in seconds, leaving not a single drop of blood behind, or swiftly arrange all its victims in an elaborate tableau, without ever being seen lugging the dead bodies around. The more explicitly supernatural killers will have powers ranging from Super Strength (all the better to pull victims through walls), the ability to appear in dreams and attack the dreamer
|
| abstract
| - Near-indestructible serial killers stalking attractive young girls, a combination that allows for buckets of gore and enough flesh to titillate. The killers, mostly driven by Revenge, are Made of Iron, at a minimum, and usually Implacable. Many are explicitly supernatural. All of them can appear and disappear as if by magic, and the corpses of their victims are equally elusive. A slasher killer can whisk away a full grown adult's corpse in seconds, leaving not a single drop of blood behind, or swiftly arrange all its victims in an elaborate tableau, without ever being seen lugging the dead bodies around. The more explicitly supernatural killers will have powers ranging from Super Strength (all the better to pull victims through walls), the ability to appear in dreams and attack the dreamers, or other ghostly abilities. The victims are usually teenagers or young adults, all usually guilty of some minor vice. Once the audience has had a convincing demonstration of their (usually sexual) misdemeanours, they are spectacularly slaughtered. If there's more than one sin or minority to pick from then the Sorting Algorithm of Mortality comes into play. Eventually, there will be only one girl left standing, the Final Girl, normally the only "morally pure" member of the main cast. With considerable help from her death battle exemption, she will kill the killer. Come the next sequel, it will be revealed that the killer was actually Not Quite Dead. A subset of the Horror genre, although the schlockier examples replace suspense almost entirely with gore. They are often considered B-movies. Early examples of the genre were heavily influenced by the Giallo films of Italian directors like Dario Argento, Lucio Fulci, and Mario Bava. The genre first became popular in the late '70s and early '80s, with the release of the three most iconic slasher flicks: Halloween, Friday the 13th, and A Nightmare on Elm Street. The genre would burn itself out in the late '80s, as the established franchises grew stale and the ripoffs grew more desperate. The slasher genre was revived in the mid-late '90s, when Wes Craven's Scream satirized the genre and became a hit. Once again, studios sought to cash in on the film's success, releasing their own post-modern, teen-focused slasher flicks. Today, the slasher genre may be entering a third wave, with the remakes of Halloween, My Bloody Valentine, and Friday the 13th all being hits, a remake of Nightmare on Elm Street just arrived, and the backlash against the gore-driven "torture porn" that dominated horror in this decade. Keep in mind that, while every slasher movie features a serial killer or a spree killer, not every serial killer or spree killer movie is a slasher movie. Also note that a slasher film is quite different from a Psychological Thriller, which tends to emphasize the Sympathy for the Devil part using a Freudian Excuse or two (and possibly a few Pet the Dog moments in the killer's favor), and de-emphasize the Final Girl, often killing off all characters. Want to write your own slasher flick? We have a handy writer's guide for anybody looking to do just that.
|
![[RDF Data]](/fct/images/sw-rdf-blue.png)