About: Eton Crop

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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The band recorded five sessions for Peel in the space of five years and on his Radio Bremen show from 1991 on Peel 002 (Radio Bremen), he stated that this was his favourite Dutch band: "And this is just about my favourite Dutch band and they have been for quite some time. I mean to be honest with you, couple of them are mates of mine anyway, which probably colour my judgement." Erwin Blom vocalist of Eton Crop paid tribute to Peel after his death on an interview with music website Louder Than War, when he mentioned how Peel influenced him:[1]

Attributes	Values
rdfs:label	Eton Crop
rdfs:comment	The band recorded five sessions for Peel in the space of five years and on his Radio Bremen show from 1991 on Peel 002 (Radio Bremen), he stated that this was his favourite Dutch band: "And this is just about my favourite Dutch band and they have been for quite some time. I mean to be honest with you, couple of them are mates of mine anyway, which probably colour my judgement." Erwin Blom vocalist of Eton Crop paid tribute to Peel after his death on an interview with music website Louder Than War, when he mentioned how Peel influenced him:[1]
dcterms:subject	Artists
abstract	The band recorded five sessions for Peel in the space of five years and on his Radio Bremen show from 1991 on Peel 002 (Radio Bremen), he stated that this was his favourite Dutch band: "And this is just about my favourite Dutch band and they have been for quite some time. I mean to be honest with you, couple of them are mates of mine anyway, which probably colour my judgement." Erwin Blom vocalist of Eton Crop paid tribute to Peel after his death on an interview with music website Louder Than War, when he mentioned how Peel influenced him:[1] "John Peel taught me openness. Talking about punk these days seems limited to talking about 4 to the floor guitars. And there’s nothing wrong with that of course. Love it. But thinking back to the days of punk, thanks to Peelie I’m reminded of the weird funk of The Pop Group, the uplifting ska of The Specials, the dark electro of Cabaret Voltaire and the fucked up poetry of John Cooper Clarke. The musical diversity and freedom of punk and what came after, combined with the search for the new and the fresh, influenced me big time. John Peel combined the old with the new. He also introduced me to the music of the fifties as well as to new hip hop and house. He extended my world of music with sounds from all over – from England to Germany, from America to Africa." On the same article Blom stated how the sessions with the band helped him: "We ended up doing 5 John Peel Sessions. Not only was that an honour, it was also quite lucrative. Thanks to the Musicians Union, we were getting paid, and paid very well, judged by our standards. Every time we were broadcast extra money came in for every musician that had taken part. So we got local friends to do backing vocals to get paid extra and to be able to tour the UK – to tour with The Fall (25 pounds for a support act, not bad! ;-), to play with The Nightingales, The Three Johns and The Membranes. And to travel everywhere from Birmingham to Leeds to Norwich, the home base of our friends at Grunt Grunt A Go Go that released our album It’s My Dog, Maestro!"

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