| abstract
| - Charlotte Rhead was born into an artistic family. Her father Frederick Alfred Rhead had trained at Mintons under Marc Louis Solon and went on to work at a number of potteries. Her brother, Frederick Hurten Rhead, was also a well-known pottery designer. At the beginning of the twentieth century the Rhead family was living in Fenton where Charlotte and her sister Dollie studied at Fenton School of Art. Charlotte started work at Wardle and Co, a pottery in Hanley where her brother Frederick Hurten was art director before emigrating to the USA in 1902. Charlotte did not stay at the firm long but it gave her the opportunity to develop her skills as a tubeliner, which would be useful to her in her future career as a designer. In 1905 Charlotte found employment as an enameller at Keeling & Co of Burslem [1]. She was next employed as a designer at a tile-maker, T & R Boote. In 1912 Charlotte's father was appointed art director of Wood and Sons, a firm which operated several potteries. Charlotte joined him there, taking charge of the tubeliners, and later working as a designer. Charlotte is perhaps best known for her association with Burgess and Leigh of Middleport (now known as the Burleigh Pottery), where she worked as a designer from 1926 until 1931. In the 1930s she moved to the firm of AG Richardson in Tunstall. Their brand name was Crown Ducal. Rhead is noted for her cheerful tubelined designs. Her style was more traditional than that of Clarice Cliff and Susie Cooper, her contemporaries. Rhead's ware was popular in her lifetime, and continues to fetch moderate prices at auction. Jessie Tait, another prolific ceramic designer, worked for Charlotte Rhead.
|
![[RDF Data]](/fct/images/sw-rdf-blue.png)