About: Interior No. 29   Sponge Permalink

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Mastura Abdul Rahman (1963- ) studied at the School of Art & Design, University Technology MARA (UITM) in Shah Alam (Petaling District, Malaysia). In the 1980s, she became involved with the Malay-Islamic revivalist movement. Her works reflect the new decorative impulses that have emerged within Malaysian art and are firmly rooted in her own sense of her Malay-ness. Interior No. 29 has been extensively analyzed in Izmer Ahmad's Ph.D. dissertation on the trace of circumcision in modern Malay/sian art. He wrote (page 133):

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  • Interior No. 29
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  • Mastura Abdul Rahman (1963- ) studied at the School of Art & Design, University Technology MARA (UITM) in Shah Alam (Petaling District, Malaysia). In the 1980s, she became involved with the Malay-Islamic revivalist movement. Her works reflect the new decorative impulses that have emerged within Malaysian art and are firmly rooted in her own sense of her Malay-ness. Interior No. 29 has been extensively analyzed in Izmer Ahmad's Ph.D. dissertation on the trace of circumcision in modern Malay/sian art. He wrote (page 133):
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  • Mastura Abdul Rahman (1963- ) studied at the School of Art & Design, University Technology MARA (UITM) in Shah Alam (Petaling District, Malaysia). In the 1980s, she became involved with the Malay-Islamic revivalist movement. Her works reflect the new decorative impulses that have emerged within Malaysian art and are firmly rooted in her own sense of her Malay-ness. Interior No. 29 has been extensively analyzed in Izmer Ahmad's Ph.D. dissertation on the trace of circumcision in modern Malay/sian art. He wrote (page 133): The depiction of a Congkak board affirms this interpretation as Congkak is traditionally considered a women's game in Malaysia. In 1999, she created another masterpiece called House of Flower, House of Harmony, which shows a similar symbolic language.
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