About: Timely Comics   Sponge Permalink

An Entity of Type : dbkwik:resource/41M8fembgW4ejRUqT-lkRA==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

During this era, called the Golden Age of comic books, "Timely" was the umbrella name for the comics division of pulp magazine publisher Goodman, whose business strategy involved having a multitude of corporate entities all producing the same product. The company was founded in 1939 as Timely Publications, based at his existing company, Red Circle, in the McGraw-Hill Building at 330 West 42nd Street in New York City. In 1942, it moved to the 14th floor of the Empire State Building, where it remained until 1951.

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rdfs:label
  • Timely Comics
rdfs:comment
  • During this era, called the Golden Age of comic books, "Timely" was the umbrella name for the comics division of pulp magazine publisher Goodman, whose business strategy involved having a multitude of corporate entities all producing the same product. The company was founded in 1939 as Timely Publications, based at his existing company, Red Circle, in the McGraw-Hill Building at 330 West 42nd Street in New York City. In 1942, it moved to the 14th floor of the Empire State Building, where it remained until 1951.
  • In 1939, with the emerging medium of comic books proving hugely popular, and the first superheroes setting the trend, Goodman contracted with newly formed comic-book "packager", Funnies, Inc. to supply material.
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Products
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dbkwik:heykidscomi...iPageUsesTemplate
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defunct
  • 1950(xsd:integer)
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Name
  • Timely Comics
Type
  • umbrella name for company group
Foundation
  • 1939(xsd:integer)
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Industry
  • Publishing
Successor
Location
Predecessor
  • Red Circle
abstract
  • During this era, called the Golden Age of comic books, "Timely" was the umbrella name for the comics division of pulp magazine publisher Goodman, whose business strategy involved having a multitude of corporate entities all producing the same product. The company was founded in 1939 as Timely Publications, based at his existing company, Red Circle, in the McGraw-Hill Building at 330 West 42nd Street in New York City. In 1942, it moved to the 14th floor of the Empire State Building, where it remained until 1951.
  • In 1939, with the emerging medium of comic books proving hugely popular, and the first superheroes setting the trend, Goodman contracted with newly formed comic-book "packager", Funnies, Inc. to supply material. His first effort, (Oct. 1939), featured the first appearances of writer-artist Carl Burgos' superhero, the Human Torch, and Paul Gustavson's costumed detective The Angel. As well, it contained the first generally available appearance of Bill Everett's mutant/anti-hero Namor the Sub-Mariner, created for the unpublished movie-theater giveaway comic, Motion Picture Funnies Weekly earlier that year, with the eight-page original story now expanded by four pages. Also included was Al Anders' Western hero the Masked Raider; the jungle lord Ka-Zar the Great, with Ben Thompson adapting the story "King of Fang and Claw" by Bob Byrd in Goodman's eponymous pulp magazine Ka-Zar #1; Thom Dixon's non-continuing-character story "Jungle Terror," featuring an adventurer named Ken Masters; "Now I'll Tell One", five single-panel, black-and-white gag cartoons by Fred Schwab, on the inside front cover; and a two-page prose story by Ray Gill, "Burning Rubber", about auto racing. A painted cover by veteran science-fiction pulp artist Frank R. Paul featured the Human Torch, looking much different than in the interior story. (The Ka-Zar here is unrelated to the Marvel Comics jungle lord Ka-Zar introduced in The X-Men (March 1965).) That initial comic, cover-dated October 1939, quickly sold out 80,000 copies, prompting Goodman to produce a second printing, cover-dated November 1939 and identical except for a black bar in the inside-front-cover indicia over the October date, and the November date added at the end. That sold approximately 800,000 copies. With a hit on his hands, Goodman began assembling an in-house staff, hiring Funnies, Inc. writer-artist Joe Simon as editor. Simon brought along his collaborator, artist Jack Kirby, followed by artist Syd Shores.
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