About: Julia Jones   Sponge Permalink

An Entity of Type : dbkwik:resource/8o1p8DBc7tTqR4sOpNWJXA==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Julia Jones appeared in Coronation Street in April 1970 as Freda Bright, Audrey Fleming's mother. She also appeared in Emergency-Ward 10, The Plane Makers, various roles in Z Cars, Till Death Us Do Part, Armchair Theatre and ITV Sunday Night Theatre

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rdf:type
rdfs:label
  • Julia Jones
rdfs:comment
  • Julia Jones appeared in Coronation Street in April 1970 as Freda Bright, Audrey Fleming's mother. She also appeared in Emergency-Ward 10, The Plane Makers, various roles in Z Cars, Till Death Us Do Part, Armchair Theatre and ITV Sunday Night Theatre
  • Julia Jones was born in Woodbridge, Suffolk in 1954. When she was three years old, her father George Jones bought the wooden sailing ketch Peter Duck, a yacht originally commissioned and owned by children's novellist Arthur Ransome. This nautical connection with Ransome, along with numerous pony books, influenced a lifelong enthusiasm for books. She opened a bookshop in Ingatestone, Essex, then developed into small scale local publishing, re-issuing a Second World War autobiography by crime writer Margery Allingham.
  • Julia was a reporter who had lived on the Sevastopol Station for two months and had written several articles on the current conditions of the station. The articles were known as "Sevastopol: An outpost of progress?" Aside from her news articles, she had also recorded some audio logs that were scattered around Sevastopol.
sameAs
Era
  • 2130.0
dcterms:subject
dbkwik:avp/property/wikiPageUsesTemplate
dbkwik:tardis/prop...iPageUsesTemplate
Status
  • Deceased of December, 2137
Serial
  • 6207(xsd:integer)
Name
  • Julia Jones
DOB
  • 2100-05-05(xsd:date)
dbkwik:arthur-rans...iPageUsesTemplate
Height
  • 160.02
Species
Rank
  • Reporter
ID
  • 4272932(xsd:integer)
Gender
  • Female
abstract
  • Julia Jones appeared in Coronation Street in April 1970 as Freda Bright, Audrey Fleming's mother. She also appeared in Emergency-Ward 10, The Plane Makers, various roles in Z Cars, Till Death Us Do Part, Armchair Theatre and ITV Sunday Night Theatre
  • Julia Jones was born in Woodbridge, Suffolk in 1954. When she was three years old, her father George Jones bought the wooden sailing ketch Peter Duck, a yacht originally commissioned and owned by children's novellist Arthur Ransome. This nautical connection with Ransome, along with numerous pony books, influenced a lifelong enthusiasm for books. She opened a bookshop in Ingatestone, Essex, then developed into small scale local publishing, re-issuing a Second World War autobiography by crime writer Margery Allingham. Jones' interest in the Allingham family grew; she researched Margery Allingham's life and wrote a biography published in 1991. Jonesa has also studied the fiction writing of Margery Allingham's father, Herbert Allingham. In 2006 Jones decided to become a writer of adventure stories, like the Swallows and Amazons series she had read as a child. The Salt-Stained Book, the first part of a planned sailing adventure trilogy, was released in June 2011
  • Julia was a reporter who had lived on the Sevastopol Station for two months and had written several articles on the current conditions of the station. The articles were known as "Sevastopol: An outpost of progress?" Aside from her news articles, she had also recorded some audio logs that were scattered around Sevastopol. She reported on activity after the decommissioning of Sevastopol and how the people were becoming more "angry, desperate and increasingly divided." The Marshals were also receiving greater resentment for their "clamp-down" on black market dealings on the station that were established after the decommissioning. Julia also reported the events that unfolded in the Sevastopol Spaceflight Terminal with Marshal Waits, whom after receiving numerous demands arranged a public meeting to address rumors about the Marshal's suspicious activity. However, instead of giving answers he continued to be evasive, with Julia stating that "after only a few minutes he and his team were pelted by projectiles from an angry crowd. A gun was fired, there was panic and now Waits and what's left of his team are forcibly ejecting us from the terminal." Most notably, she sent a message to Dr K. Lingard, requesting to interview her about her experiences on the station regarding the absence of adequate medical resources, the condition of patients mentally affected by deep space travel, and more importantly, a recent incident that she suspected of being a "major public health issue." When people began disappearing, Julia was initially excited, as this would make for a much greater story. However, when the station began breaking down into total chaos, with a mounting death toll and communications having been disabled, she eventually realized that she was just as much of a "victim" like everyone else on board the station.
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