| rdfs:comment
| - Antenarrative is a story concept invented by David Boje in 2001, Narrative Methods for Organization and Communication Research. London, Sage. In ‘antenarrative’ (Boje, 2001), storytelling is no more than a bet, a scrawny pre-story. Antenarrative is defined as “non-linear, incoherent, collective, unplotted, and pre-narrative speculation, a bet, a proper retrospective narrative with Beginning, Middle, and End (BME) can be constituted” (Boje, 2001: 1). Antenarratives are “in the middle” and “in-between” (Boje, 2001: 293) refusing to attach linear BME coherence. Whereas, most BME narratives and narrative fragments are retrospective (backward-looking) antenarratives are more often prospective (forward=looking. BME Narratives must achieve coherence, developmental plots required by narrative theo
|
| abstract
| - Antenarrative is a story concept invented by David Boje in 2001, Narrative Methods for Organization and Communication Research. London, Sage. In ‘antenarrative’ (Boje, 2001), storytelling is no more than a bet, a scrawny pre-story. Antenarrative is defined as “non-linear, incoherent, collective, unplotted, and pre-narrative speculation, a bet, a proper retrospective narrative with Beginning, Middle, and End (BME) can be constituted” (Boje, 2001: 1). Antenarratives are “in the middle” and “in-between” (Boje, 2001: 293) refusing to attach linear BME coherence. Whereas, most BME narratives and narrative fragments are retrospective (backward-looking) antenarratives are more often prospective (forward=looking. BME Narratives must achieve coherence, developmental plots required by narrative theorists (Gabriel, 2000:20, 22; Czarniawska, 1997: 79, 98; 1998: vii, 2). Antenarratology - is defined as the study of antenarratives in interplay with stories and narratives. Whereas retrospective narratives typically have beginnings, middles, and ends (BMEs) stories are more part of the living fabric of the social, more co-created, unfolding in the present moment of Being, and prospective into the future of the social. Critical antenarratology is a method to trace and deconstruct an ongoing interweaving antenarrating this is always composing and self-deconstructing. Antenarratives have five dimensions (Boje, 2001: 3-5). 1. Antenarrative is about the Tamara of storytelling. Tamara is a play where ten characters unfold their stories before a walking, sometimes running, audience that fragments into small groups to chase characters and storylines from room to room. 2. Antenarrative is a collective (prospective) memory before it becomes reified into the organization story, or consensual (official) narrative. 3. Antenarrative directs our analytic attention to the flow of storytelling, as lived experience before the narrative requirements of beginnings, middles or endings. 4. Antenarrative gives attention to the speculative, the ambiguity of sensemaking and guessing as to what is happing in the flow of experience. 5. Antenarrating is both before story and a bet of prospective-transformation through supplements, dropping and picking up meaning in each successive context, and remaining unfinalized. The value of antenarratives is that they occur in social networks. Their arcologies are only beginning to be charted. In prior work antenarratives have been thought to pick up and jettison context, morphing over time, as them move through social networks.
|