Robert F. Boyle was an American film art director and production designer. When he lost his job as an architect during the Great Depression, Boyle found work in films as an extra. In 1933 he was hired as a draftsman in the Paramount Pictures art department. Beginning with Cecil B. DeMille's The Plainsman, Boyle went on to work on a variety of pictures as a sketch artist, draftsman and assistant art director before becoming an art director at Universal Studios in the early 1940s. Boyle collaborated several times with Alfred Hitchcock. Denied permission to shoot footage on Mount Rushmore, Hitchcock turned to Boyle to create realistic replicas of the stone heads. When director Norman Jewison failed in his attempts to get the necessary submarine that was at the center of his The Russians Are C
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| - Robert F. Boyle was an American film art director and production designer. When he lost his job as an architect during the Great Depression, Boyle found work in films as an extra. In 1933 he was hired as a draftsman in the Paramount Pictures art department. Beginning with Cecil B. DeMille's The Plainsman, Boyle went on to work on a variety of pictures as a sketch artist, draftsman and assistant art director before becoming an art director at Universal Studios in the early 1940s. Boyle collaborated several times with Alfred Hitchcock. Denied permission to shoot footage on Mount Rushmore, Hitchcock turned to Boyle to create realistic replicas of the stone heads. When director Norman Jewison failed in his attempts to get the necessary submarine that was at the center of his The Russians Are C
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| - Los Angeles, California, USA
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| - Boyle at the 80th Academy Awards
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| - Robert F. Boyle was an American film art director and production designer. When he lost his job as an architect during the Great Depression, Boyle found work in films as an extra. In 1933 he was hired as a draftsman in the Paramount Pictures art department. Beginning with Cecil B. DeMille's The Plainsman, Boyle went on to work on a variety of pictures as a sketch artist, draftsman and assistant art director before becoming an art director at Universal Studios in the early 1940s. Boyle collaborated several times with Alfred Hitchcock. Denied permission to shoot footage on Mount Rushmore, Hitchcock turned to Boyle to create realistic replicas of the stone heads. When director Norman Jewison failed in his attempts to get the necessary submarine that was at the center of his The Russians Are Coming, the Russians Are Coming storyline, Boyle built a working model from styrofoam and fiberglass. During the course of his career, Boyle was nominated four times for the Academy Award. Boyle was the subject of the Academy Award-nominated documentary short The Man on Lincoln's Nose (2000).
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