| abstract
| - I-V-vi-IV. There's just something about these four chords that makes for a catchy tune in western pop music, transcending the boundaries of genre, and work in a song with any mood or tempo. This particular ordering of them, the "pop-punk progression" as The Other Wiki calls it, was spawned as a variant of the Doo Wop Progression, and has been particularly popular from the 1990s to the present day. The Roman numerals above represent a sequence of four chords. If you don't know Roman analysis, check out this video, or play these chords on a piano: C major, G major, A minor, F major. Repeat if desired. If this progression loops back to I, this effectively produces a Plagal Cadence. Very often, this progression is used as an Ostinato--a repeated pattern that occurs throughout a song (or a part of it). In a major key, this progression is I V vi IV. If we play them in a different order, vi IV I V, (A minor, F major, C major, G major)the progression sounds to be in the relative minor key (the key whose home note starts on the sixth note of its relative major key), in which case we notate it as i VI III VII. This version is sometimes called the "sensitive-female chord progression." All of these progressions can be and are played with fifth or "power" chords; these are not major or minor chords (they don't possess the "third" which determines whether a chord is major or minor), but people's ears will pick up on the sound they're "expecting" to hear and fill in the blanks mentally so the progression sounds right. Note, as always, that Tropes Are Tools: while it has proven to be an irresistible progression, a band who relies on it for too many of their songs runs the risk of being regarded as unimaginative and dull. It's become a recent theme of music oriented comedy to make fun of this trope. Related chord progressions:
* Three Chords and the Truth, which generally uses I-IV-V.
* Humoresque Progression: vi-IV-V-I, or if considered to be in minor, i-VI-VII-III
* Doo Wop Progression: I-vi-IV-V
* Pachelbel's Canon Progression: I-V-vi-iii-IV-I-IV-V Examples of I V vi IV (the major key version):
* Adele - "Someone Like You"
* A-ha - "Take On Me" (chorus only; verse is ii-V-I-IV)
* Jason Aldean — "Big Green Tractor" (verses)
* Gary Allan — "Songs About Rain" (verses)
* Alexandra Burke - "Bad Boys"
* Axis of Awesome shows us a lot of examples (and a few non-examples).
* Alicia Keys - "No One"
* Aqua - "Doctor Jones" (the chorus and alternating lines of the verses)
* The Beatles - "Let It Be" (first half of the verse; second half is I-V-IV-I)
* Billie Myers - "Kiss the Rain"
* Blink-182 - Dammit, Feeling This, Always, Carousel, What's My Age Again?... I could go on.
* Bob Marley - "No Woman No Cry"
* Bush - "Glycerine" and "Comedown"
* Caramell - "Caramelldansen"
* The Cars - "Tonight She Comes"
* Cher Lloyd - "Swagger Jagger" (In the choruses after the first verse. It's more noticeable in the instrumental version.)
* Cinderella - "Don't Know What You Got ('Til It's Gone)"
* Green Day - "When I Come Around" (but not in the chorus)
* Ingrid Michaelson - "Everybody", refrain
* James Blunt - "You're Beautiful"
* Jamie Grace featuring tobymac - "Hold Me"
* Jason Mraz - "I'm Yours"
* Journey - "Don't Stop Believing"
* Lady Gaga - "Paparazzi"
* Also, the chorus of "Edge of Glory" and "Hair"
* Le Click - "Call Me"
* Liz Phair - "Why Can't I", verse (and has the reordered minor key version in the refrain)
* Maroon 5 - "She Will Be Loved"
* Men At Work - "Down Under"
* Mika - "Happy Ending"
* One Republic - "Say (All I Need)"
* Owl City - Vanilla Twilight
* Pink - "Fucking Perfect"
* The Police - "So Lonely"
* Relient K - "In Love with the '80s (Pink Tux to the Prom)"; this may have been an homage to the Cars (the background arrangement is very similar to "Tonight She Comes")
* Also "Pressing On".
* Richard Marx - "Right Here Waiting" (part of the chorus)
* Sarina Paris - "Look At Us Baby" (the chorus)
* Sesame Street (yes, Sesame Street) - "The Word Is No"
* Train - "Hey Soul Sister"
* U2 - "With or Without You"
* Every Bo Burnham song ever.
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