Okuda has worked on, every Star Trek series since Star Trek: The Next Generation and completed the collection in 2006 when he and his wife, Denise Okuda, became produces on the Star Trek remastering project, working on new CGI visual effects for Star Trek: The Original Series. Okuda's credits also extend to the Star Trek movies, working on every film from Star Trek IV: The Voyage Home until Star Trek Nemesis and contributing to the video game Star Trek: Borg In 2001, Okuda designed the new title logo for the Star Trek: Deep Space Nine relaunch novels. (DS9 novel: Avatar, Book One)
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| - right|thumb|200px|Michael y Denise Okuda 06/08/1955 - Tokio (Japón)
- Okuda has worked on, every Star Trek series since Star Trek: The Next Generation and completed the collection in 2006 when he and his wife, Denise Okuda, became produces on the Star Trek remastering project, working on new CGI visual effects for Star Trek: The Original Series. Okuda's credits also extend to the Star Trek movies, working on every film from Star Trek IV: The Voyage Home until Star Trek Nemesis and contributing to the video game Star Trek: Borg In 2001, Okuda designed the new title logo for the Star Trek: Deep Space Nine relaunch novels. (DS9 novel: Avatar, Book One)
- Michael H. Okuda war der künstlerische Leiter und wissenschaftliche Berater (Scenic Art Supervisor – also der Chefdesigner) von Star Trek. Er stammt aus Hawaii und studierte Kommunikation an der University of Hawaii in Manoa und machte sein Examen auf der Roosevelt High School (auf Hawaii). Michael Okuda entwickelte die Benutzeroberfläche (LCARS), Alienschriften und Gerätschaften der oben genannten Serie. Für seine Arbeit (die besten visuellen Effekte) ist er schon dreimal für den Emmy nominiert worden. Nach ihm sind auch die Okudagramme benannt.
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| - ...with close co-worker Rick Sternbach
- ...as a Starfleet science officer in "The Menagerie, Part I"
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| - Michael H. Okuda war der künstlerische Leiter und wissenschaftliche Berater (Scenic Art Supervisor – also der Chefdesigner) von Star Trek. Er stammt aus Hawaii und studierte Kommunikation an der University of Hawaii in Manoa und machte sein Examen auf der Roosevelt High School (auf Hawaii). Michael Okuda entwickelte die Benutzeroberfläche (LCARS), Alienschriften und Gerätschaften der oben genannten Serie. Für seine Arbeit (die besten visuellen Effekte) ist er schon dreimal für den Emmy nominiert worden. Nach ihm sind auch die Okudagramme benannt. Er zeigte sein Talent auch schon bei anderen Filmen und Serien. Zum Beispiel bei
* The Flash (1990) (computer graphics),
* The Human Target
* Red Dwarf Außerdem ist Michael Okuda bekannt für seine Referenzwerke Die offizielle Star Trek Chronologie und Star Trek Enzyklopädie, die hochangesehene Nachschlagewerke sind. Okudas Werke werden durch ihren Ruf von vielen Fans als canon eingestuft, obwohl sie viele Fehler und Spekulationen enthalten.
- right|thumb|200px|Michael y Denise Okuda 06/08/1955 - Tokio (Japón)
- Okuda has worked on, every Star Trek series since Star Trek: The Next Generation and completed the collection in 2006 when he and his wife, Denise Okuda, became produces on the Star Trek remastering project, working on new CGI visual effects for Star Trek: The Original Series. Okuda's credits also extend to the Star Trek movies, working on every film from Star Trek IV: The Voyage Home until Star Trek Nemesis and contributing to the video game Star Trek: Borg In 2001, Okuda designed the new title logo for the Star Trek: Deep Space Nine relaunch novels. (DS9 novel: Avatar, Book One) Between his Star Trek and NASA creations, Michael Okuda has made quite a name for himself as a graphic designer. Okuda recently helped NASA develop the logos for the Constellation Program. For his help with this project, Okuda received the NASA Exceptional Public Service Medal on July 9, 2009. “The projects I’ve done have always promoted the value that exploration is good and that it can lead to things we can’t even imagine today,” Okuda said.
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