About: Torpedo...Los!   Sponge Permalink

An Entity of Type : dbkwik:resource/MQZwp0_HQ7YoP3W1VKgB7A==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Torpedo...Los! (sometimes Torpedo...LOS!) is a 1963 pop art oil on canvas painting by Roy Lichtenstein. When it was last sold in 1989, The New York Times described the work as "a comic-strip image of sea warfare". It formerly held the record for the highest auction price for a Lichtenstein work. Its 1989 sale helped finance the construction of the current home of the Museum of Contemporary Art, Chicago in 1991.

AttributesValues
rdf:type
rdfs:label
  • Torpedo...Los!
rdfs:comment
  • Torpedo...Los! (sometimes Torpedo...LOS!) is a 1963 pop art oil on canvas painting by Roy Lichtenstein. When it was last sold in 1989, The New York Times described the work as "a comic-strip image of sea warfare". It formerly held the record for the highest auction price for a Lichtenstein work. Its 1989 sale helped finance the construction of the current home of the Museum of Contemporary Art, Chicago in 1991.
sameAs
dcterms:subject
dbkwik:military/pr...iPageUsesTemplate
Type
  • Pop art
Width
  • 204(xsd:integer)
Height
  • 173(xsd:double)
Title
  • Torpedo...Los!
Image size
  • 250(xsd:integer)
Image File
  • Torpedo...Los!.jpg
Artist
Museum
  • Private collection
Year
  • 1963(xsd:integer)
abstract
  • Torpedo...Los! (sometimes Torpedo...LOS!) is a 1963 pop art oil on canvas painting by Roy Lichtenstein. When it was last sold in 1989, The New York Times described the work as "a comic-strip image of sea warfare". It formerly held the record for the highest auction price for a Lichtenstein work. Its 1989 sale helped finance the construction of the current home of the Museum of Contemporary Art, Chicago in 1991. Like many of Lichtenstein's works its title comes from the speech balloon in the painting. The work was included in Lichtenstein's second solo exhibition. The source of the image is a comic book from DC Comics. Lichtenstein has made significant alterations to the original image to change the focus and perspective in addition to significant alteration of the narrative element of the work. The work plays on the background-foreground relationship and the theme of vision that appears in many of Lichtenstein's works.
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