| rdfs:comment
| - Is Emilie insane or is she just from another century? She's insisted it's the latter for years, and is conscious of existing in some way or other in the 21st century, but Emilie can see ghosts and has startling tendencies towards genuine madness, at times, in the 19th. Doubtless she was abused by her doctors, although she does not desire to speak of it.
- Emilie Autumn Liddell, Born September 22 1979, (1997-present) is a gothic poet, singer/songwriter, violinist, harpsichordist, performance artist and author. She's self-described as that she sounds "like the best cup of English Breakfast spiked with cyanide and smashed on your antique wallpaper." The current era is what Emilie is most well known for. And from gaining more muffins (fans), she was able to make more and more theatrical tours which gained more and more theatrics tour by tour. Joining her on stage in the Asylum are her Bloody Crumpets, a group of lovely mad girls.
|
| abstract
| - Emilie Autumn Liddell, Born September 22 1979, (1997-present) is a gothic poet, singer/songwriter, violinist, harpsichordist, performance artist and author. She's self-described as that she sounds "like the best cup of English Breakfast spiked with cyanide and smashed on your antique wallpaper." Of Emilie's life, very little is known at the moment. What we do know is that she started playing violin at the age of four, a talent that she has continued to this day, and that she voluntarily stayed away from most of the mainstream music communities (both classical and commercial) due to bad experiences and clashes within them: in fact, most of her albums were self-published by her own company. Her first album was On a Day..., a classical album released in 2000, when she was 20 or 21. The following year she put out the Chambermaid and By the Sword EPs. In 2003 her first full vocal album was released: Enchant, an album filled with a number of songs inspired by fairy tales. Also contained in this CD was the Enchant Puzzle, which no one has ever solved. This was the Enchant era, when Emilie was a faerie. After going through an extremely awful period in her life that resulted in a suicide attempt and institutionalization, she was inspired to move in a different artistic direction, which is the current era. This began with the Opheliac EP, followed by full album Opheliac. This album was far darker than Enchant, and a reflection of Emilie's mental state, as this album was released as an agreement with herself that she'd make the album instead of killing herself. The songs are mostly about madness and suicide, particularly in water. Much of the album is influenced by Shakespeare, as is made obvious by the title. Many of the songs are not written from the perspective of Emilie, but from Ophelia herself, the Lady of Shalott, and others. Later in 2007, she re-released Enchant along with A Bit o' This and That, which was a collection of previously unheard songs, re-mixes and tracks from older EPs. Also released that year was Laced/Unlaced. Laced was a re-release of On a Day, while Unlaced was an all-new collection of instrumental songs done in her newer style. In 2009 she was able to release her autobiography, The Asylum for Wayward Victorian Girls. She has also released The Opheliac Companion, which provides information and background about the songs on Opheliac. The current era is what Emilie is most well known for. And from gaining more muffins (fans), she was able to make more and more theatrical tours which gained more and more theatrics tour by tour. Joining her on stage in the Asylum are her Bloody Crumpets, a group of lovely mad girls. Currently touring for the album and doing the album Fight Like A Girl (FLAG) And waiting on the release of "The Devil's Carnival" a short experimental film by the creator of Repo! The Genetic Opera aka Darren Bousman, which she recorded in 2011. She did it with the Bloody Crumpets and various other famous actors/performers including one member of Slipknot
- Is Emilie insane or is she just from another century? She's insisted it's the latter for years, and is conscious of existing in some way or other in the 21st century, but Emilie can see ghosts and has startling tendencies towards genuine madness, at times, in the 19th. Doubtless she was abused by her doctors, although she does not desire to speak of it.
|
![[RDF Data]](/fct/images/sw-rdf-blue.png)