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| - Master tallsword that leads to its partner's swan song.
- Danse macabres are morbid specters of the final fate which awaits every mortal. They appear as an incarnation as death, most often a skeleton in a black robe, surrounded by a procession of ghostly aristocrats clad in all their finery dancing the dance of death.
- The Danse Macabre is the convoluted social interplay between the Kindred in the course of their individual Requiems.
- Danse Macabre is the second adventure pack (DLC) for Might & Magic: Heroes VI.
- The Danse Macabre follows seven steps that are each their own technique and can be used for different purposes.
- Danse Macabre, the Dance of Death the name of a famous ritualistic fighting dance between two elven warriors that always ends in the death of one of the competitors (or both of them in rare cases). For this dance, both competitors wear silver "semiarmors", which is meant to be used as a small buckler, they also wear gold & silver-colored ceremonial clothes and use small golden daggers. The ritual consists on a dance that may last for minutes, hours or even days, once one of the two warriors let his/her guard down, the other attack, and it all ends in a moment.
- Danse Macabre is a modern dance club where human customers can socialize and dance with vampires and shape shifters. It is similar to Guilty Pleasures in that it allows humans to become acquainted with supernatural creatures for any number of proposes, including business dealings, recruitment, romance, or simple socialization. It is housed in an old brewery warehouse, on the Riverfront, also known as the District.
- Danse Macabre is a recurring skill associated with Lichs and the Necromancer class. Many of these mages are continually orbited floating, glowing skulls. During Danse Macabre, these are sent by the mage to their nearby corpses, which they attach to. A whirl of floating skulls, bones and corpses engulfs the target enemy party, and the undead will commence to dance with the living. Seeing the dance of the dead robs the targets of their lifeforce and infuses them with undeath. Soon, they willingly join the dance and decomposing corpses themselves, under mindless control of their lich master, eager to sink their teeth into the flesh of their still-living former companions.
- The Danse Macabre (French) , which is also called Dance of Death, or Danza Macabra in Italian and Spanish, or Totentanz in German, was a medieval allegory, showing that death must pass, no matter their station in life. It features Death leading dancers of varying walks of life (typically a king, a child, and a girl) to the grave. The earliest record of this is from a frescoe at The Cemetery of the Innocents in Paris from 1424.
- Danse Macabre examines the various influences on King's own writing, and important genre texts of the 19th and 20th centuries. Danse Macabre explores the history of the genre as far back as the Victorian era, but primarily focuses on the 1950s to the 1970s (roughly the era covering King's own life). King peppers his book with informal academic insight, discussing archetypes, important authors, common narrative devices, "the psychology of terror", and his key theory of "Dionysan horror".
- Casting Time: 1 action Range: 60 feet Components: V, S Duration: Concentration, up to 1 hour Threads of dark power leap from your fingers to pierce up to five small or medium corpses you can see within range. Each corpse immediately stands up and becomes undead. You decide whether it is a zombie or skeleton (the statistics for zombies and skeletons are in the monster manual), and it gains a bonus to its attack and damage rolls equal to your spellcasting ability modifier. The creatures are under your control until the spell ends, after which they become inanimate once more.
- Hubo un tiempo en que disfrutaba mucho la música de Sain-Saëns pero creo que ya no puedo decir lo mismo. La música clásica es mi pasión y creo que genera sensaciones asombrosas, que no genera cualquier pieza musical. Si bien no perseguí una carrera como músico sí continué escuchando en privado a Beethoven, Tchaikovsky y otros compositores de mi agrado. Intenté además ir a la mayor cantidad de conciertos en vivo posibles, en los distintos teatros de calidad de mi ciudad. Mi favorito era el Teatro Municipal de Santiago, buena acústica y cómodo a la vez. Quién hubiese adivinado que sería la escena de crimen perfecta.
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