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The Year 24 Group significantly contributed to the development of subgenres in shōjo manga, and marked the first major entry of women artists into manga. Thereafter, shōjo manga would be drawn primarily by women artists for an audience of girls and young women. The Year 24 Group used bildungsroman genre conventions in their works. Stylistically, the Year 24 Group created new conventions in panel layout by departing from rows of rectangles that were the standard of the time and using panel shape and configuration to convey emotion, and softening or removing panel borders.

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  • Year 24 Group
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  • The Year 24 Group significantly contributed to the development of subgenres in shōjo manga, and marked the first major entry of women artists into manga. Thereafter, shōjo manga would be drawn primarily by women artists for an audience of girls and young women. The Year 24 Group used bildungsroman genre conventions in their works. Stylistically, the Year 24 Group created new conventions in panel layout by departing from rows of rectangles that were the standard of the time and using panel shape and configuration to convey emotion, and softening or removing panel borders.
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  • The Year 24 Group significantly contributed to the development of subgenres in shōjo manga, and marked the first major entry of women artists into manga. Thereafter, shōjo manga would be drawn primarily by women artists for an audience of girls and young women. The Year 24 Group used bildungsroman genre conventions in their works. Stylistically, the Year 24 Group created new conventions in panel layout by departing from rows of rectangles that were the standard of the time and using panel shape and configuration to convey emotion, and softening or removing panel borders. Moto Hagio and Keiko Takemiya lived in the same apartment in Ōizumi in Nerima, Tokyo from 1970 to 1973, in a situation similar to Osamu Tezuka's Tokiwa-so. Takemiya's friend Norie Masayama lived nearby and was described by Moto Hagio as Takemiya's "brain staff". Masayama was not a mangaka herself, but she introduced Takemiya to male homosexuality for women via Barazoku and Les amitiés particulières, which inspired Takemiya and Hagio to create shōnen-ai works. Until that time, shōjo manga was written mainly by male manga artists, such as Osamu Tezuka with his Princess Knight, and their attempts by female manga artists to write manga for girls were relatively new. Fortunately their manga were welcomed by girls, women, and men. Their actions and success paved the way for the appearances of many female manga artists like Rumiko Takahashi. Comiket, the world's largest comic convention, was started by the dojinshi circle Meikyu(迷宮), which began as a group for studying the works of Moto Hagio. Works by Hagio and Satō were included in the shōjo manga anthology Four Shōjo Stories, published in North America by Viz Communications in 1996.
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