As a wielder of the Rinnegan, Raido benefits greatly from its abilities. In its own right it allows one to wield the Six Paths Technique, and other various advantages in battle. Raido however after studying in the shrine of the Sage, created a different style that uses the Rinnegans powers and abilities. Naming it the Gedo Arts, while Raido has yet to fully explain to anyone the motive behind these Arts, it is know that the Rinnegan and impeccable mastery of each of the Six Path is required. Based on Raido's prowess with the Rinnegan the Gedo Arts abilities of covers a considerable distance. From barriers that destroy the Yang abilities of Ninjutsu removing their physical form, or destroying the Kekkei Genkai, or ninjutsu and even dojutsu. As of now Raido study is constantly in pursuit of
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| - As a wielder of the Rinnegan, Raido benefits greatly from its abilities. In its own right it allows one to wield the Six Paths Technique, and other various advantages in battle. Raido however after studying in the shrine of the Sage, created a different style that uses the Rinnegans powers and abilities. Naming it the Gedo Arts, while Raido has yet to fully explain to anyone the motive behind these Arts, it is know that the Rinnegan and impeccable mastery of each of the Six Path is required. Based on Raido's prowess with the Rinnegan the Gedo Arts abilities of covers a considerable distance. From barriers that destroy the Yang abilities of Ninjutsu removing their physical form, or destroying the Kekkei Genkai, or ninjutsu and even dojutsu. As of now Raido study is constantly in pursuit of
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jutsu type
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debut shippuden
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literal english
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jutsu classification
| - Kekkei Genkai~Rinnegan, Ninjutsu, Dojutsu, Genjutsu, Barrier Ninjutsu, Fuinjutsu
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unnamed jutsu
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parent jutsu
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game names
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jutsu range
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viz manga
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english tv
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jutsu class type
| - Offensive, Defensive, Supplementary
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jutsu media
| - Anime, Manga, Game, Movie
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dbkwik:narutofanon...iPageUsesTemplate
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Users
| - Raido X, Yama, Demonic Statue of the Outer Path
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Kanji
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abstract
| - As a wielder of the Rinnegan, Raido benefits greatly from its abilities. In its own right it allows one to wield the Six Paths Technique, and other various advantages in battle. Raido however after studying in the shrine of the Sage, created a different style that uses the Rinnegans powers and abilities. Naming it the Gedo Arts, while Raido has yet to fully explain to anyone the motive behind these Arts, it is know that the Rinnegan and impeccable mastery of each of the Six Path is required. Based on Raido's prowess with the Rinnegan the Gedo Arts abilities of covers a considerable distance. From barriers that destroy the Yang abilities of Ninjutsu removing their physical form, or destroying the Kekkei Genkai, or ninjutsu and even dojutsu. As of now Raido study is constantly in pursuit of the study of the Outer Path, and the possibilities are endless. Raido can do great harm to those who stand to him, inflicting career ending moves on shinobi. As his study deepens Raido has created some very unholy variants of these moves under the Gedō Arts title, majority of which he has not revealed. However Raido has broken them down into two aspects of study, The one which uses the Outer Path, and its abilities. The other using the Inner Path, and its abilities. While the Inner Path has been less researched. Raido has created concepts for himself to follow up on. While a few of these moves require for Raido to have his Rinnegan active there are moves that do not require such an action. The Arts allow for Raido to mix and match any of the Six Paths, including the outer and inner paths together to bring life to new jutsu be them both powerful and dangerous. He also shown the ability to combine them with the Nature Releases as well since he has master all 5 of the basic elements. As of now Raido is the only person to create such a style Gedō Arts. Despite the name not all of the Gedō Arts need the Rinnegan to be active in order to be used, as seen with the Formless Imagination jutsu. Which can be used with or without the Rinnegan active.
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