About: Gunvor and Peter Edwards   Sponge Permalink

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After John T. Kenney resigned from the Railway Series due to failing eyesight, editor Eric Marriot decided to ask Swedish-born artist Gunvor Edwards to see whether she would try her hand at some illustrations for the latest book, Stepney the "Bluebell" Engine. Gunvor accepted the commission and decided to start well into the book with the illustration of the Diesel standing alongside the other engines in their shed.

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  • Gunvor and Peter Edwards
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  • After John T. Kenney resigned from the Railway Series due to failing eyesight, editor Eric Marriot decided to ask Swedish-born artist Gunvor Edwards to see whether she would try her hand at some illustrations for the latest book, Stepney the "Bluebell" Engine. Gunvor accepted the commission and decided to start well into the book with the illustration of the Diesel standing alongside the other engines in their shed.
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  • After John T. Kenney resigned from the Railway Series due to failing eyesight, editor Eric Marriot decided to ask Swedish-born artist Gunvor Edwards to see whether she would try her hand at some illustrations for the latest book, Stepney the "Bluebell" Engine. Gunvor accepted the commission and decided to start well into the book with the illustration of the Diesel standing alongside the other engines in their shed. However, Gunvor had difficulty with the small space she was required to work with (about ten by six inches) and soon realised that duplicating the work of previous illustrators was not going to be easy. So she turned to her husband, Peter, who was, as he put it, "trying to be a 'serious' artist". And although he was no more able to imitate earlier work in the Railway Series any better than his wife, both Marriot and the Reverend W. Awdry were satisfied with his pictures. Although Edwards' style was more impressionistic than that of any previous Railway Series artist, Wilbert liked his work because he drew from life and "obviously had an affection for the characters".
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