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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The split screen is a technique used to depict multiple scenes occurring simultaneously. It is often employed to show both sides of a phone conversation. In 24, the split screen technique receives thorough use due to the show's real time format and simultaneous multiple plot lines. A split screen showcasing multiple characters and locations is always featured along with the ticking clock on each return from a commercial break (the act-in clock). Additionally, the final few minutes of almost every episode are prefaced by a split screen, often with urgent music, to update viewers on the status of each major character and plotline as the hour ends.

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  • Split screen
rdfs:comment
  • The split screen is a technique used to depict multiple scenes occurring simultaneously. It is often employed to show both sides of a phone conversation. In 24, the split screen technique receives thorough use due to the show's real time format and simultaneous multiple plot lines. A split screen showcasing multiple characters and locations is always featured along with the ticking clock on each return from a commercial break (the act-in clock). Additionally, the final few minutes of almost every episode are prefaced by a split screen, often with urgent music, to update viewers on the status of each major character and plotline as the hour ends.
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dcterms:subject
dbkwik:24/property/wikiPageUsesTemplate
abstract
  • The split screen is a technique used to depict multiple scenes occurring simultaneously. It is often employed to show both sides of a phone conversation. In 24, the split screen technique receives thorough use due to the show's real time format and simultaneous multiple plot lines. A split screen showcasing multiple characters and locations is always featured along with the ticking clock on each return from a commercial break (the act-in clock). Additionally, the final few minutes of almost every episode are prefaced by a split screen, often with urgent music, to update viewers on the status of each major character and plotline as the hour ends. The split screen effect was suggested by Season 1 director and executive producer Stephen Hopkins and later created digitally by David Thompson, the editor of the first episode of 24.
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