About: Constantine Makris   Sponge Permalink

An Entity of Type : dbkwik:resource/vwF0PAn8Bcpt4hZ6y-SlDg==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Makris started a career in the entertainment business, most notably television, in the 1970s. He started out as a production assistant for the 1974 documentary film Italiamerican before moving on to the camera and electrical department, gaining many credits for his work there. Next, Makris became a high-profile cinematographer, who was especially well-known for his work on Law & Order, for which he was the cinematographer for 156 of its episodes. His work on Law & Order led to him winning three cinematography-related Emmy Awards in the years of 1993, 1997, and 1998; he also had a fourth nomination for such an award in 2000, but didn't win.

AttributesValues
rdf:type
rdfs:label
  • Constantine Makris
rdfs:comment
  • Makris started a career in the entertainment business, most notably television, in the 1970s. He started out as a production assistant for the 1974 documentary film Italiamerican before moving on to the camera and electrical department, gaining many credits for his work there. Next, Makris became a high-profile cinematographer, who was especially well-known for his work on Law & Order, for which he was the cinematographer for 156 of its episodes. His work on Law & Order led to him winning three cinematography-related Emmy Awards in the years of 1993, 1997, and 1998; he also had a fourth nomination for such an award in 2000, but didn't win.
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dbkwik:lawandorder...iPageUsesTemplate
IMDB
  • 538744(xsd:integer)
  • nm0538744
Jobs
  • Director,
Name
  • Constantine Makris
Title
  • Constantine Makris
abstract
  • Makris started a career in the entertainment business, most notably television, in the 1970s. He started out as a production assistant for the 1974 documentary film Italiamerican before moving on to the camera and electrical department, gaining many credits for his work there. Next, Makris became a high-profile cinematographer, who was especially well-known for his work on Law & Order, for which he was the cinematographer for 156 of its episodes. His work on Law & Order led to him winning three cinematography-related Emmy Awards in the years of 1993, 1997, and 1998; he also had a fourth nomination for such an award in 2000, but didn't win. That same year, Makris became a television director, first starting with two episodes of the TV series Deadline. He has since directed 62 episodes for Law & Order, and also directed for its spin-offs Law & Order: SVU (for which he directed 25 episodes), Law & Order: Criminal Intent (for which he directed nine episodes), the short-lived Law & Order: Trial by Jury (for which he directed two episodes), and the short-lived Law & Order: LA (for which he directed only one episode). Makris also directed episodes for The Unusuals, FlashForward, Rescue Me, Warehouse 13, and (most recently) Criminal Minds.
is wsDirectedBy of
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