Strip Handel developed out of the Neo-Classical movement. Its founders, three young and innovative musicians, were becoming fatigued with playing the non-provocative clothed music of their trade. In a moment of divine inspiration they decided to take the glorious music of George Frideric Handel, specifically Messiah, back to its earthy and humanistic qualities, as opposed to perpetuating all the pomp and ceremony that has become associated with this piece. By lifting the burden of propriety from the rousing strains of Handel, both the musicians and the audience can better partake of and experience the ecstasy, fulfillment, and intense musical drive that is The Messiah.
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| - Strip Handel developed out of the Neo-Classical movement. Its founders, three young and innovative musicians, were becoming fatigued with playing the non-provocative clothed music of their trade. In a moment of divine inspiration they decided to take the glorious music of George Frideric Handel, specifically Messiah, back to its earthy and humanistic qualities, as opposed to perpetuating all the pomp and ceremony that has become associated with this piece. By lifting the burden of propriety from the rousing strains of Handel, both the musicians and the audience can better partake of and experience the ecstasy, fulfillment, and intense musical drive that is The Messiah.
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abstract
| - Strip Handel developed out of the Neo-Classical movement. Its founders, three young and innovative musicians, were becoming fatigued with playing the non-provocative clothed music of their trade. In a moment of divine inspiration they decided to take the glorious music of George Frideric Handel, specifically Messiah, back to its earthy and humanistic qualities, as opposed to perpetuating all the pomp and ceremony that has become associated with this piece. By lifting the burden of propriety from the rousing strains of Handel, both the musicians and the audience can better partake of and experience the ecstasy, fulfillment, and intense musical drive that is The Messiah.
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