Paradox Press was designed to publish graphic novels that were not of the superhero genre (as comprises most of DC's publishing efforts) and were lacking the fantasy and sci-fi elements of DC's "mature reader" line, Vertigo comics. Due to low sales amongst the line, it was phased out, and most of the books under this imprint are out of print for the foreseeable future. Those books which have remained in print are now released under DC's more lucrative Vertigo label.
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| - Paradox Press was designed to publish graphic novels that were not of the superhero genre (as comprises most of DC's publishing efforts) and were lacking the fantasy and sci-fi elements of DC's "mature reader" line, Vertigo comics. Due to low sales amongst the line, it was phased out, and most of the books under this imprint are out of print for the foreseeable future. Those books which have remained in print are now released under DC's more lucrative Vertigo label.
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| - Paradox Press was designed to publish graphic novels that were not of the superhero genre (as comprises most of DC's publishing efforts) and were lacking the fantasy and sci-fi elements of DC's "mature reader" line, Vertigo comics. Due to the limited interest in non-fantasy stories among the graphic novel demographic, the line produced only a handful of books over its decade-long history. While almost all received critical acclaim, none reached high sales amongst the general graphic-novel and comic book reading populace. Two of the imprint's books (A History of Violence and Road to Perdition) were adapted into successful films and Scott McCloud's Understanding Comics (originally published through Kitchen Sink Press) is considered one of the authoritative bibles of the medium. The true-life anthology series of Big Books also found a niche following. Due to low sales amongst the line, it was phased out, and most of the books under this imprint are out of print for the foreseeable future. Those books which have remained in print are now released under DC's more lucrative Vertigo label.
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