About: The Real McCoy (album)   Sponge Permalink

An Entity of Type : dbkwik:resource/Wc01kosy418ODy3h8ZVPQw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with Joe Henderson, Ron Carter and Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".

AttributesValues
rdf:type
rdfs:label
  • The Real McCoy (album)
rdfs:comment
  • The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with Joe Henderson, Ron Carter and Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
sameAs
Length
  • 2226.0
dcterms:subject
dbkwik:jaz/property/wikiPageUsesTemplate
Label
Producer
Name
  • The Real McCoy
Genre
Type
  • Album
Last album
  • McCoy Tyner Plays Ellington
rev
This Album
  • The Real McCoy
Cover
  • McCoy Tyner - The Real McCoy.jpg
Next album
  • Tender Moments
Released
  • 1967(xsd:integer)
Artist
Recorded
  • 1967-04-21(xsd:date)
  • (Van Gelder Studio, Englewood Cliffs)
abstract
  • The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with Joe Henderson, Ron Carter and Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
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