The Bard is the games main/playable character. A smart mouthed, greedy loner who only works for a pay and is constantly berated by his omnipresent narrator. with his instrument he is able to summon creatures to fight with, or more likely for him.
| Attributes | Values |
|---|
| rdf:type
| |
| rdfs:label
| |
| rdfs:comment
| - The Bard is the games main/playable character. A smart mouthed, greedy loner who only works for a pay and is constantly berated by his omnipresent narrator. with his instrument he is able to summon creatures to fight with, or more likely for him.
- The Bard is a playable character from the video game Freedom Force vs. the Third Reich.
- The Bard appears to be somewhat rational, having enough common sense to know what works (Running away when stealing things) and what doesn't (Slaying dragons). True to a Bard's nature, he involves himself in a little bit of everything, stealing, lying, singing, dancing, violence, salesmanship, charisma, and an understandable obsession toward cods. The issue with The Bard is his environment. His continual suffering and several reasons why certain branches of the story end short is due to the situation being something completely unexpected. How The Bard managed to survive this long in the current world is rather peculiar itself. Some scenes indicate that being a Bard is a high-risk occupation, with the obscenely large number of Lutes laying about next to the Bard-A-Pult from what we could as
- Julius K. Moomer was a screenwriter that has happened into a dry spell. His scripts had begun to be refused by the executives and he was in desperate need of brilliantly written scripts that would make his bosses pleased. Having overheard a mention of black magic, he decided he had nothing to lose. With a book on black magic, Moomer managed to perform a ritual that conjured up the form of William Shakespeare. Moomer would have the greatest writer that ever lived produce his scripts for television! The first script that Shakespeare created was adored and the unlikely team of "Bill Shakespeare" and Julius Moomer appeared to be a success. This lasted only until the filming of the screenplay began, when they were informed that the sponsors of the production had demanded a great deal of revisio
|
| Strength
| |
| dcterms:subject
| |
| Previous Episode
| |
| Agility
| |
| Episode Title
| |
| Next Episode
| |
| dbkwik:mspaintadve...iPageUsesTemplate
| |
| dbkwik:twilightzon...iPageUsesTemplate
| |
| Guest Stars
| - Jack Weston, John Williams, Burt Reynolds
|
| Story
| |
| Faction
| |
| Endurance
| |
| materialtype
| |
| Energy
| |
| Speed
| |
| Series
| |
| Status
| |
| Name
| |
| Caption
| |
| dbkwik:freedomforc...iPageUsesTemplate
| |
| dbkwik:bardstale/p...iPageUsesTemplate
| |
| Teleplay
| |
| Weight
| |
| Production code
| |
| Music
| |
| First Aired
| |
| Episode
| |
| VoiceActor
| |
| Image File
| |
| Gender
| |
| Race
| |
| RealName
| |
| Director
| |
| Lead Character
| - Julian Moomer, William Shakespeare
|
| abstract
| - The Bard is the games main/playable character. A smart mouthed, greedy loner who only works for a pay and is constantly berated by his omnipresent narrator. with his instrument he is able to summon creatures to fight with, or more likely for him.
- The Bard is a playable character from the video game Freedom Force vs. the Third Reich.
- The Bard appears to be somewhat rational, having enough common sense to know what works (Running away when stealing things) and what doesn't (Slaying dragons). True to a Bard's nature, he involves himself in a little bit of everything, stealing, lying, singing, dancing, violence, salesmanship, charisma, and an understandable obsession toward cods. The issue with The Bard is his environment. His continual suffering and several reasons why certain branches of the story end short is due to the situation being something completely unexpected. How The Bard managed to survive this long in the current world is rather peculiar itself. Some scenes indicate that being a Bard is a high-risk occupation, with the obscenely large number of Lutes laying about next to the Bard-A-Pult from what we could assume were previous Bards. The Bard is a bit of a braggart and a tad obnoxious as he fails to see his own stature as a worthless sack of shit several times, and usually ends up on the receiving end of a Bard-A-Pult himself.
- Julius K. Moomer was a screenwriter that has happened into a dry spell. His scripts had begun to be refused by the executives and he was in desperate need of brilliantly written scripts that would make his bosses pleased. Having overheard a mention of black magic, he decided he had nothing to lose. With a book on black magic, Moomer managed to perform a ritual that conjured up the form of William Shakespeare. Moomer would have the greatest writer that ever lived produce his scripts for television! The first script that Shakespeare created was adored and the unlikely team of "Bill Shakespeare" and Julius Moomer appeared to be a success. This lasted only until the filming of the screenplay began, when they were informed that the sponsors of the production had demanded a great deal of revisions, removing things they felt the viewers—potential customers—might find offensive such as suicide. Shakespeare greatly objected, but was calmed by Moomer. The legendary writer soon was angered once more, when he was introduced to the cast, all of whom were different from his vision. The lead actor introduced the bard to method acting and asked what his motivation might be for walking through a door. Shakespeare struck the young actor, stormed off the set, and out of Moomer's life in anger. Moomer's submitted script is a success with the modern audience. However, he soon finds himself tasked with providing more scripts about American history. Lacking motivation, he again turned to black magic and conjured up historic figures George Washington, Abraham Lincoln, and Pocahontas to assist him with his writing.
|
| is Previous Episode
of | |
| is Next Episode
of | |
| is Appearances
of | |
![[RDF Data]](/fct/images/sw-rdf-blue.png)