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Story by Marcel Orie. Originally published in Wonderwaan #24; it was translated into English and published in Cyaegha #9 (Summer 2013). Set in flooded, post-apocalyptic world it features a small band of human and Deep One survivors who are entertained by Harry the Puppeteer whose performances borrow from a variety of sources, including elements of the Bible and The King In Yellow, all modified to fit the characters of Camilla (surnamed Bellmer in one example), Little Groucho and Pierlala. The puppetry is simultaneously incidental and integral to the main plot, which revolves around a human/Deep One romance.

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  • A Manual for Later, for After the Apocalypse
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  • Story by Marcel Orie. Originally published in Wonderwaan #24; it was translated into English and published in Cyaegha #9 (Summer 2013). Set in flooded, post-apocalyptic world it features a small band of human and Deep One survivors who are entertained by Harry the Puppeteer whose performances borrow from a variety of sources, including elements of the Bible and The King In Yellow, all modified to fit the characters of Camilla (surnamed Bellmer in one example), Little Groucho and Pierlala. The puppetry is simultaneously incidental and integral to the main plot, which revolves around a human/Deep One romance.
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abstract
  • Story by Marcel Orie. Originally published in Wonderwaan #24; it was translated into English and published in Cyaegha #9 (Summer 2013). Set in flooded, post-apocalyptic world it features a small band of human and Deep One survivors who are entertained by Harry the Puppeteer whose performances borrow from a variety of sources, including elements of the Bible and The King In Yellow, all modified to fit the characters of Camilla (surnamed Bellmer in one example), Little Groucho and Pierlala. The puppetry is simultaneously incidental and integral to the main plot, which revolves around a human/Deep One romance.
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