The Black Saint and the Sinner Lady is a studio album by American jazz musician Charles Mingus, released on Impulse! Records in 1963. The album consists of a single continuous composition—partially written as a ballet—divided into four tracks and six movements.
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rdf:type
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rdfs:label
| - The Black Saint and the Sinner Lady (album)
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rdfs:comment
| - The Black Saint and the Sinner Lady is a studio album by American jazz musician Charles Mingus, released on Impulse! Records in 1963. The album consists of a single continuous composition—partially written as a ballet—divided into four tracks and six movements.
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Length
| - 405.0
- 442.0
- 399.0
- 1119.0
- 2365.0
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dcterms:subject
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dbkwik:jaz/property/wikiPageUsesTemplate
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all writing
| - Charles Mingus. All songs have subtitles. The fourth track consists of three movements with individual titles and subtitles. The track lengths listed on the album sleeve are incorrect; the times listed below are the actual track lengths
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Label
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Extra
| - " Freewoman and Oh, This Freedom's Slave Cries"
- "Hearts' Beat and Shades in Physical Embraces"
- "Stop! Look! And Listen, Sinner Jim Whitney!"
- "Stop! Look! And Sing Songs of Revolutions!"
- "Of Love, Pain, and Passioned Revolt, then Farewell, My Beloved, 'til It's Freedom Day"
- "Saint and Sinner Join in Merriment on Battle Front"
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Producer
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Name
| - The Black Saint and the Sinner Lady
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Genre
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Type
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rev1Score
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Title
| - "Mode E – Single Solos and Group Dance"
- "Mode F – Group and Solo Dance
- Mode D – Trio and Group Dancers"
- Track A – Solo Dancer
- Track B – Duet Solo Dancers
- Track C – Group Dancers
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Last album
| - The Complete Town Hall Concert
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rev
| - Allmusic
- Q
- Penguin Guide to Jazz
- All About Jazz
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This Album
| - The Black Saint and the Sinner Lady
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Cover
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Total Length
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Next album
| - Mingus Mingus Mingus Mingus Mingus
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Released
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Artist
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Recorded
| - 1963-01-20(xsd:date)
- New York City
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extra column
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abstract
| - The Black Saint and the Sinner Lady is a studio album by American jazz musician Charles Mingus, released on Impulse! Records in 1963. The album consists of a single continuous composition—partially written as a ballet—divided into four tracks and six movements.
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