Poetry (the form in which Gurbani is written) and music (raags) are two sides of the same coin. They are independent and yet complement each other. Music versifies and provides melody, uniformity and cadence to poetry. The factor that binds music and poetry is their metrical-form (ghar or beat). Music (Raag) is based on sound (swar - notes) and a combination of notes produce distinct musical effects. Poetry is determined by Word (Shabad), which communicates a message to the mind. Music (Raag) on the other hand conveys a feeling to the heart and is therefore universal. Spirituality, after all, is striking the right balance between mind and heart. Therefore, when the poetic Gurbani is complemented with raag (music) and bound by ghar (beat), the resulting effect on mind and heart can become a
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| - Poetry (the form in which Gurbani is written) and music (raags) are two sides of the same coin. They are independent and yet complement each other. Music versifies and provides melody, uniformity and cadence to poetry. The factor that binds music and poetry is their metrical-form (ghar or beat). Music (Raag) is based on sound (swar - notes) and a combination of notes produce distinct musical effects. Poetry is determined by Word (Shabad), which communicates a message to the mind. Music (Raag) on the other hand conveys a feeling to the heart and is therefore universal. Spirituality, after all, is striking the right balance between mind and heart. Therefore, when the poetic Gurbani is complemented with raag (music) and bound by ghar (beat), the resulting effect on mind and heart can become a
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| - Poetry (the form in which Gurbani is written) and music (raags) are two sides of the same coin. They are independent and yet complement each other. Music versifies and provides melody, uniformity and cadence to poetry. The factor that binds music and poetry is their metrical-form (ghar or beat). Music (Raag) is based on sound (swar - notes) and a combination of notes produce distinct musical effects. Poetry is determined by Word (Shabad), which communicates a message to the mind. Music (Raag) on the other hand conveys a feeling to the heart and is therefore universal. Spirituality, after all, is striking the right balance between mind and heart. Therefore, when the poetic Gurbani is complemented with raag (music) and bound by ghar (beat), the resulting effect on mind and heart can become a catalyst for spiritual transformation. The raag conveys a feeling and Shabad a message. Every raag is capable of touching the heart with feelings like joy, sorrow, detachment, etc. Upon studying the structure of Guru Granth Sahib it can be seen that Shabads relating to common themes are generally placed under each raag. When the broad themes of Shabads are overlaid with feelings conveyed by these raags, there emerges a reason behind grouping of Shabads under a broad classification of thirty-one raags.
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