About: Mrs McGinty's Dead   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The novel features the characters Hercule Poirot and Ariadne Oliver. The story is a “village mystery”, a sub-genre of whodunit which Christie usually reserved for Miss Marple. The novel is notable for its wit and comic detail, something that had been little in evidence in the Poirot novels of the thirties and forties. Poirot's misery in the run-down guesthouse, and Mrs Oliver's observations on the life of a detective novelist, provide considerable entertainment in the early part of the novel.

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  • Mrs McGinty's Dead
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  • The novel features the characters Hercule Poirot and Ariadne Oliver. The story is a “village mystery”, a sub-genre of whodunit which Christie usually reserved for Miss Marple. The novel is notable for its wit and comic detail, something that had been little in evidence in the Poirot novels of the thirties and forties. Poirot's misery in the run-down guesthouse, and Mrs Oliver's observations on the life of a detective novelist, provide considerable entertainment in the early part of the novel.
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abstract
  • The novel features the characters Hercule Poirot and Ariadne Oliver. The story is a “village mystery”, a sub-genre of whodunit which Christie usually reserved for Miss Marple. The novel is notable for its wit and comic detail, something that had been little in evidence in the Poirot novels of the thirties and forties. Poirot's misery in the run-down guesthouse, and Mrs Oliver's observations on the life of a detective novelist, provide considerable entertainment in the early part of the novel. The publication of Mrs McGinty’s Dead may be considered as marking the start of Poirot's final phase, in which Ariadne Oliver plays a large part. Although she had appeared in Cards on the Table in 1936, Mrs Oliver's most significant appearances in Christie's work begin here. She appears in five of the last nine Christie novels featuring Poirot to be written, and appears on her own without Poirot at all in The Pale Horse (1961).
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