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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The icon portrays Christ as the Righteous Judge and the Lover of Mankind, both at the same time. The Gospel is the book by which we are judged, and the blessing proclaims God's loving kindness toward us, showing us that he is giving us his forgiveness. Although ruler of all, Christ is not pictured with a crown or scepter as other kings of this world. The large open eyes look directly into the soul of the viewer. The high curved forehead shows wisdom. The long slender nose is a look of nobility, the small closed mouth, the silence of contemplation.

AttributesValues
rdfs:label
  • Pantocrator
rdfs:comment
  • The icon portrays Christ as the Righteous Judge and the Lover of Mankind, both at the same time. The Gospel is the book by which we are judged, and the blessing proclaims God's loving kindness toward us, showing us that he is giving us his forgiveness. Although ruler of all, Christ is not pictured with a crown or scepter as other kings of this world. The large open eyes look directly into the soul of the viewer. The high curved forehead shows wisdom. The long slender nose is a look of nobility, the small closed mouth, the silence of contemplation.
dcterms:subject
abstract
  • The icon portrays Christ as the Righteous Judge and the Lover of Mankind, both at the same time. The Gospel is the book by which we are judged, and the blessing proclaims God's loving kindness toward us, showing us that he is giving us his forgiveness. Although ruler of all, Christ is not pictured with a crown or scepter as other kings of this world. The large open eyes look directly into the soul of the viewer. The high curved forehead shows wisdom. The long slender nose is a look of nobility, the small closed mouth, the silence of contemplation. It is the tradition of the Church to depict "God is with us" by having the a large Pantocrator icon inside of the central dome, or ceiling of the church. The oldest known Pantocrator icon was written in the sixth century. It was preserved in the monastery of St. Catherine in the Sinai desert. This remote location enabled the image to survive the iconoclastic era in Byzantine history (726-815) when most icons were destroyed.
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