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| - "I begin as a cell and I grow and change throughout the show. And it's also done in what now is becoming my aesthetic, which is, you know, it's part pop, part performance art, part fashion installation—so all of those things are present... It's a story, it's me battling all my monsters along the way. I'm playing all the music from The Fame, all the music from The Fame Monster. And the stage that I designed with the Haus [of Gaga] is a giant cube that sits. Imagine you were to hollow out a TV and just break the fourth wall on a TV screen. It forces you to look at the center of the TV. It's my way of saying, 'My music is art.'"
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| abstract
| - In an interview with Rolling Stone, Gaga explained that she wanted to put together an expensive looking, beautiful show which would be affordable by her fans. She explained that the tour is a "pop-electro opera" because the theatrics and the story elements interwoven in the tour are played like an opera. According to her the design of the show is innovative and forward in terms of creativeness: “I’ve been thinking about ways to play with the shape of this stage and change the way that we watch things,” she says. “So what I’ve done is I’ve designed a stage with Haus of Gaga that is essentially a frame with forced perspective, and the frame is put inside the stage.” On each side of the stage, two giant screens provided live closeup of the stage in order to make it possible for everyone to see inside the "box". The boxed perspective set, lined with tapering walls of Nocturne V-Lite LED video screens, was designed by Es Devlin and built by Tait Towers, complete with lots of moving parts. Forcing the perspective further is a sloped floor, while cross-stage travellators expand the horizontal dimension. A self-propelled set truck moves various objects from the back to the forestage. "I begin as a cell and I grow and change throughout the show. And it's also done in what now is becoming my aesthetic, which is, you know, it's part pop, part performance art, part fashion installation—so all of those things are present... It's a story, it's me battling all my monsters along the way. I'm playing all the music from The Fame, all the music from The Fame Monster. And the stage that I designed with the Haus [of Gaga] is a giant cube that sits. Imagine you were to hollow out a TV and just break the fourth wall on a TV screen. It forces you to look at the center of the TV. It's my way of saying, 'My music is art.'" —Gaga describing the whole concept of the original show. Gaga explained, the theme of the show is evolution. According to Gaga, the songs on The Fame Monster represents the personal demons that she had faced. Hence while developing the record Gaga spoke about original sin and demons inside human beings. She said, "So we talked about growth, and that led us into this kind of scientific space, and we started talking about evolution and the evolution of humanity and how we begin as one thing, and we become another." This theme of monsters and evolution is supposed to play a part in the fashion for the tour, which according to Gaga is "another level from where we were with the Fame Ball. [...] It's going to be a truly artistic experience that is going to take the form of the greatest post-apocalyptic house party that you've ever been to." Although Gaga stated that she was inspired by the things she and Kanye were doing with the Fame Kills tour, she concluded, "...I made a decision based on integrity not to use any of the things that we had designed together." Later, she agreed that it was "the great lost tour".
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