About: Sunday Go to Meetin' Time   Sponge Permalink

An Entity of Type : dbkwik:resource/UaddQrWXgFRZFtYOtfT7lA==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Sunday Go to Meetin' Time is a Merrie Melodies animated cartoon directed by Friz Freleng, produced by Leon Schlesinger Productions, and released to theatres on August 8, 1936 by Warner Bros. Pictures and The Vitaphone Corporation. The plot follows the misadventures of a black man in the stereotypical minstrel show and coon song mold. He sneaks out of church and soon finds himself in hell, where he learns the error of his ways, and when he wakes up again in the living world, he makes haste to the church. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from distribution in 1968, making it one of the infamous Censored Eleven.

AttributesValues
rdf:type
rdfs:label
  • Sunday Go to Meetin' Time
rdfs:comment
  • Sunday Go to Meetin' Time is a Merrie Melodies animated cartoon directed by Friz Freleng, produced by Leon Schlesinger Productions, and released to theatres on August 8, 1936 by Warner Bros. Pictures and The Vitaphone Corporation. The plot follows the misadventures of a black man in the stereotypical minstrel show and coon song mold. He sneaks out of church and soon finds himself in hell, where he learns the error of his ways, and when he wakes up again in the living world, he makes haste to the church. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from distribution in 1968, making it one of the infamous Censored Eleven.
  • Sunday Go to Meetin' Time is a Merrie Melodies animated cartoon directed by Friz Freleng, produced by Leon Schlesinger Productions, and released to theatres on August 8, 1936 by Warner Bros. Pictures and The Vitaphone Corporation. The plot follows the misadventures of a black man in the stereotypical minstrel show and coon song mold. He sneaks out of church and soon finds himself in hell. There, he learns the error of his ways, and when he wakes up again in the living world, he makes haste to the church. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from distribution in 1968, making it one of the infamous Censored Eleven.
sameAs
dcterms:subject
dbkwik:crossgen-co...iPageUsesTemplate
dbkwik:heykidscomi...iPageUsesTemplate
color process
  • Technicolor
Series
Runtime
  • 420.0
Producer
cartoon name
  • Sunday Go to Meetin' Time
Release Date
  • 1936-08-08(xsd:date)
Caption
  • Nicodemus tries to steal a chicken. Sunday Go to Meetin' Time features African American characters who look and act like Blackface minstrel show and coon song stereotypes.
movie language
  • English
Title
  • Sunday Go to Meetin' Time
Musician
story artist
Distributor
  • Warner Bros. Pictures
  • The Vitaphone Corporation
ID
  • 187(xsd:integer)
  • 28323(xsd:integer)
Director
abstract
  • Sunday Go to Meetin' Time is a Merrie Melodies animated cartoon directed by Friz Freleng, produced by Leon Schlesinger Productions, and released to theatres on August 8, 1936 by Warner Bros. Pictures and The Vitaphone Corporation. The plot follows the misadventures of a black man in the stereotypical minstrel show and coon song mold. He sneaks out of church and soon finds himself in hell. There, he learns the error of his ways, and when he wakes up again in the living world, he makes haste to the church. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from distribution in 1968, making it one of the infamous Censored Eleven. The cartoon was reissued in late 1944 after Schlesinger sold the studio, however, still bears his name, so the original closing was kept in the reissue.
  • Sunday Go to Meetin' Time is a Merrie Melodies animated cartoon directed by Friz Freleng, produced by Leon Schlesinger Productions, and released to theatres on August 8, 1936 by Warner Bros. Pictures and The Vitaphone Corporation. The plot follows the misadventures of a black man in the stereotypical minstrel show and coon song mold. He sneaks out of church and soon finds himself in hell, where he learns the error of his ways, and when he wakes up again in the living world, he makes haste to the church. The short's stereotypical portrayal of black characters prompted United Artists to withhold it from distribution in 1968, making it one of the infamous Censored Eleven.
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