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| - Mother Sallie Birdsong Mother Ella Mae Bogan Mother Willie B. Fowler Mother Jeanette Frazier Mother Catherine Speers Mother Annie Thompson, Church Mother
- A list of Muppet mothers who have sons and daughters, both on screen and in books. In the case of long-running characters, the source listed is the character's first appearance.
- In the late 1960s, John Peel was a regular compere at Mothers club in Erdington, Birmingham, which ran for three years to 1971 and hosted many of the top bands of the era. It was perhaps best known as one of the two venues used for the live sections of the Pink Floyd album Ummagumma. Peel, who was at the 1969-04-27 gig, described the band in his Disc & Music Echo review as sounding like "cries of dying galaxies lost in sheer corridors of time and space" - earning him his first Pseuds Corner entry in Private Eye. In a 1976 interview, Peel cited the Pink Floyd Mothers gig as one of his top two involving the band (the other was in Hyde Park in 1968). [1]
- Within the progenitors of the Bene Gesserit on Terra, the Mother title was hereditary, and used openly only in the few remaining matriarchal power structures. The Mothers was a representative intertribal group composed by the Great Mother (the lead gene-carrier) of each tribe. Within patriarchies, the Mothers became a secret order, married to aristocratic leaders and usually having as their Great Mother the wife or mother of the tribal leader. Only some of the Mothers, of all the gene-carriers, retained group consciousness, tribal memories, and perhaps limited prescience.
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| abstract
| - Mother Sallie Birdsong Mother Ella Mae Bogan Mother Willie B. Fowler Mother Jeanette Frazier Mother Catherine Speers Mother Annie Thompson, Church Mother
- Within the progenitors of the Bene Gesserit on Terra, the Mother title was hereditary, and used openly only in the few remaining matriarchal power structures. The Mothers was a representative intertribal group composed by the Great Mother (the lead gene-carrier) of each tribe. Within patriarchies, the Mothers became a secret order, married to aristocratic leaders and usually having as their Great Mother the wife or mother of the tribal leader. Only some of the Mothers, of all the gene-carriers, retained group consciousness, tribal memories, and perhaps limited prescience. To the Motherhood these "sybils" formed a network which tied together all the major political powers north and south of the Great Sea. Within their own order, the Mothers developed their own desire for the power gained from a savior who could understand the future. In some southern tribes, the savior was called Hdarak ("to last, or to be everlasting"), connected to the Bene Gesserit term Kwisatz Haderach
- A list of Muppet mothers who have sons and daughters, both on screen and in books. In the case of long-running characters, the source listed is the character's first appearance.
- In the late 1960s, John Peel was a regular compere at Mothers club in Erdington, Birmingham, which ran for three years to 1971 and hosted many of the top bands of the era. It was perhaps best known as one of the two venues used for the live sections of the Pink Floyd album Ummagumma. Peel, who was at the 1969-04-27 gig, described the band in his Disc & Music Echo review as sounding like "cries of dying galaxies lost in sheer corridors of time and space" - earning him his first Pseuds Corner entry in Private Eye. In a 1976 interview, Peel cited the Pink Floyd Mothers gig as one of his top two involving the band (the other was in Hyde Park in 1968). [1] In 1997, Peel contributed a foreword to the book "Mothers, The Home of Good Sounds 1968 - 1971" by Kevin Duffy (Birmingham Library Services).
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