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Part II has had mostly positive reviews from many different websites. Billboard, Idolator, PopMatters, Spin, Pop-Dust, and MTV Buzzworthy all had reviewed, or at least gave a positive message to the song. Billboard had said, "this song's the sequel to "Let the Flames Begin" from their "Riot" album, opening with the same "What a shame" line. "I will catch fire to let your glory and mercy shine," Williams sings—ready to sacrifice her happiness for others. It's a sullen cut, but its frenetic drum and guitar solos are fit for an action sequence in any Michael Bay film." This has mentioned a positive gesture towards Let the Flames Begin as well. Idolator had mentioned, “Grow Up” and ’80s new romantic-tinged “Part II” aren’t locked into the rigid matrix of a four-to-six chord power riff that was

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  • Part II
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  • Part II has had mostly positive reviews from many different websites. Billboard, Idolator, PopMatters, Spin, Pop-Dust, and MTV Buzzworthy all had reviewed, or at least gave a positive message to the song. Billboard had said, "this song's the sequel to "Let the Flames Begin" from their "Riot" album, opening with the same "What a shame" line. "I will catch fire to let your glory and mercy shine," Williams sings—ready to sacrifice her happiness for others. It's a sullen cut, but its frenetic drum and guitar solos are fit for an action sequence in any Michael Bay film." This has mentioned a positive gesture towards Let the Flames Begin as well. Idolator had mentioned, “Grow Up” and ’80s new romantic-tinged “Part II” aren’t locked into the rigid matrix of a four-to-six chord power riff that was
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  • Part II has had mostly positive reviews from many different websites. Billboard, Idolator, PopMatters, Spin, Pop-Dust, and MTV Buzzworthy all had reviewed, or at least gave a positive message to the song. Billboard had said, "this song's the sequel to "Let the Flames Begin" from their "Riot" album, opening with the same "What a shame" line. "I will catch fire to let your glory and mercy shine," Williams sings—ready to sacrifice her happiness for others. It's a sullen cut, but its frenetic drum and guitar solos are fit for an action sequence in any Michael Bay film." This has mentioned a positive gesture towards Let the Flames Begin as well. Idolator had mentioned, “Grow Up” and ’80s new romantic-tinged “Part II” aren’t locked into the rigid matrix of a four-to-six chord power riff that was Paramore’s heartbeat for their first three albums, and both songs feel looser and more creatively unhinged as a result." The review also had mentioned Part II as the best song on the album which was not a single. Pop-Matters has reviewed this song as one of the best 5 things available on the self-titled album, continuing on saying, "aside from the general atmosphere and timbre of the songs, the two tracks share a lot of the same lyrical and musical material. And although neither song is strictly narrative, “Part II” feels like what comes after “Let the Flames Begin”. It had continued on, mentioning the chorus while saying, "The chorus of “Part II” slightly changes the content of the chorus in “Let the Flames Begin”. In the original song, the chorus refers to an “us” dancing together, but in “Part II”, that “us” becomes a “me”, explicitly stating that the narrator is “dancing all alone”. Spin (the website), had mentioned Williams' in the line "they do. They don't hurtle like they used to — the meat/potatoes punk-pop on the album's first third is stiffer than it was, and that sequel, "Part II," is goopier than its predecessor — but Williams doesn't need to be kept focused anymore." The site had continued on with the story of Williams' being signed to Atlantic Records, and the formation of the band. Pop-Dust has said, "Williams sings of the way her heart’s been scarred by love, getting downright melancholic as she begs for glory to come and find her. The instrumentation on this particular track is reminiscent of a brewing storm, and the way it ends—with no real resolution, just Williams asking for a second chance as the drums fizzle into nothingness—is jarring, yet appropriate." MTV Buzzworthy gave a short song review of Part II, stating, "If the band’s been wandering far from home on these early tracks, they make it back in time for dinner on “Part II,” a song that builds chugging chords into the kind of rushing chorus Paramore always crushes. Even here, the band’s expanded palette shows — listen carefully for little electronic tones in between York’s distortion assault."
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