The series uses extensive Hollywood metaphors as part of its narrative structure. Each episode includes two or more fantasy sequences, featuring Molly as the lead character in a well-known, generally big box-office film. Every episode opens with the first of these, which takes place in the form of Molly's dreams about recent events in her life. Typical of this is the fantasy from the opening episode, a play on the end of the film Elizabeth. In the fantasy Molly swears off men in the manner of Elizabeth I declaring herself married to England at the film's end. Other fantasy sequences punctuate important story points. Similarly, episode titles are frequently corruptions of film titles (as with The French Disconnection and Look Who's Stalking) or suggestive of Hollywood phenomena (such as Mol
| Attributes | Values |
|---|
| rdfs:label
| |
| rdfs:comment
| - The series uses extensive Hollywood metaphors as part of its narrative structure. Each episode includes two or more fantasy sequences, featuring Molly as the lead character in a well-known, generally big box-office film. Every episode opens with the first of these, which takes place in the form of Molly's dreams about recent events in her life. Typical of this is the fantasy from the opening episode, a play on the end of the film Elizabeth. In the fantasy Molly swears off men in the manner of Elizabeth I declaring herself married to England at the film's end. Other fantasy sequences punctuate important story points. Similarly, episode titles are frequently corruptions of film titles (as with The French Disconnection and Look Who's Stalking) or suggestive of Hollywood phenomena (such as Mol
|
| dcterms:subject
| |
| abstract
| - The series uses extensive Hollywood metaphors as part of its narrative structure. Each episode includes two or more fantasy sequences, featuring Molly as the lead character in a well-known, generally big box-office film. Every episode opens with the first of these, which takes place in the form of Molly's dreams about recent events in her life. Typical of this is the fantasy from the opening episode, a play on the end of the film Elizabeth. In the fantasy Molly swears off men in the manner of Elizabeth I declaring herself married to England at the film's end. Other fantasy sequences punctuate important story points. Similarly, episode titles are frequently corruptions of film titles (as with The French Disconnection and Look Who's Stalking) or suggestive of Hollywood phenomena (such as Mollywood, a play on the name Hollywood.)
|
![[RDF Data]](/fct/images/sw-rdf-blue.png)