The foyer at Collinwood was the main accessway for gaining entrance to the great house. Moving directly forward, the foyer lead into an inviting comfortable sitting area, commonly referred to as the organ room. Facing inward and to the left of the foyer was a short, black pedastal holding aloft a marble bust. Next to it hung a large, framed portrait of a bearded man (presumably a member of the Collins family). Past this wall was a corridor that lead to the drawing room at the tower corner of the building. On the right side of the foyer was another marble bust crafted in the likeness of its partner across the way. Upon the wall hung a large Renaissance-style painting of a woman holding a child in her arms. Turning towards the right, the foyer extended into another corridor that stretched do
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| - The foyer at Collinwood was the main accessway for gaining entrance to the great house. Moving directly forward, the foyer lead into an inviting comfortable sitting area, commonly referred to as the organ room. Facing inward and to the left of the foyer was a short, black pedastal holding aloft a marble bust. Next to it hung a large, framed portrait of a bearded man (presumably a member of the Collins family). Past this wall was a corridor that lead to the drawing room at the tower corner of the building. On the right side of the foyer was another marble bust crafted in the likeness of its partner across the way. Upon the wall hung a large Renaissance-style painting of a woman holding a child in her arms. Turning towards the right, the foyer extended into another corridor that stretched do
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| - The foyer at Collinwood was the main accessway for gaining entrance to the great house. Moving directly forward, the foyer lead into an inviting comfortable sitting area, commonly referred to as the organ room. Facing inward and to the left of the foyer was a short, black pedastal holding aloft a marble bust. Next to it hung a large, framed portrait of a bearded man (presumably a member of the Collins family). Past this wall was a corridor that lead to the drawing room at the tower corner of the building. On the right side of the foyer was another marble bust crafted in the likeness of its partner across the way. Upon the wall hung a large Renaissance-style painting of a woman holding a child in her arms. Turning towards the right, the foyer extended into another corridor that stretched down past a staircase and lead directly into the dining room.
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