About: Mezz Mezzrow

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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Milton Mesirow, better known as Mezz Mezzrow (9 November 1899–5 August 1972) was a Jewish American jazz clarinetist and saxophonist from Chicago, Illinois. Mezzrow is well-known for organizing and financing historic recording sessions with Tommy Ladnier and Sidney Bechet. Mezzrow also recorded a number of times with Bechet and briefly acted as manager for Louis Armstrong. However, he is remembered as much for being a colorful character in his autobiography Really The Blues as for his music. It takes its title from a musical piece by Sidney Bechet. The book was co-written by Bernard Wolfe and first published in 1946.

Attributes	Values
rdfs:label	Mezz Mezzrow
rdfs:comment	Milton Mesirow, better known as Mezz Mezzrow (9 November 1899–5 August 1972) was a Jewish American jazz clarinetist and saxophonist from Chicago, Illinois. Mezzrow is well-known for organizing and financing historic recording sessions with Tommy Ladnier and Sidney Bechet. Mezzrow also recorded a number of times with Bechet and briefly acted as manager for Louis Armstrong. However, he is remembered as much for being a colorful character in his autobiography Really The Blues as for his music. It takes its title from a musical piece by Sidney Bechet. The book was co-written by Bernard Wolfe and first published in 1946.
sameAs	dbr:Mezz_Mezzrow
dcterms:subject	Jewish American musicians Clarinetists
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Name	Mezzrow, Mezz
Alternative Names	Mesirow, Milton
Date of Death	1972-08-05(xsd:date)
Date of Birth	1899-11-09(xsd:date)
Short Description	American jazz clarinetist and saxophonist
abstract	Milton Mesirow, better known as Mezz Mezzrow (9 November 1899–5 August 1972) was a Jewish American jazz clarinetist and saxophonist from Chicago, Illinois. Mezzrow is well-known for organizing and financing historic recording sessions with Tommy Ladnier and Sidney Bechet. Mezzrow also recorded a number of times with Bechet and briefly acted as manager for Louis Armstrong. However, he is remembered as much for being a colorful character in his autobiography Really The Blues as for his music. It takes its title from a musical piece by Sidney Bechet. The book was co-written by Bernard Wolfe and first published in 1946.

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