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| - Because CBS was worried about all the navy-obsessed fans of JAG buggering off to other channels, Season One dealt with cases that actually concerned the Navy. However, once these fans had been safely harvested, CBS realised they could just go ahead like any other cop show and squash the occasional marine or dogtag into the odd case. They also realised something was needed to define them, so someone came up with actually revealing to the viewers the outcome of the case without all that tedious watching: before the episode starts, there is a sound like a duvet being hit and the screen shows a black and white image of some members of the NCIS team looking distressed or some poor sucker's mangled corpse. Episode continues normally until it reaches this point in time, and the greyness returns.
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| abstract
| - Because CBS was worried about all the navy-obsessed fans of JAG buggering off to other channels, Season One dealt with cases that actually concerned the Navy. However, once these fans had been safely harvested, CBS realised they could just go ahead like any other cop show and squash the occasional marine or dogtag into the odd case. They also realised something was needed to define them, so someone came up with actually revealing to the viewers the outcome of the case without all that tedious watching: before the episode starts, there is a sound like a duvet being hit and the screen shows a black and white image of some members of the NCIS team looking distressed or some poor sucker's mangled corpse. Episode continues normally until it reaches this point in time, and the greyness returns. Enter commercial break, unless you're watching in Britain or Australia, in which case this happens randomly and annoyingly in between breaks. After the break, the end of the next bit is revealed. Episode begins with a grizzly murder. On discovery/occurence of this murder, the camera pans to Agent DiNozzo posing with an obnoxiously flashing camera. Other characters argue/pose/crack one-liners over the corpse. ME arrives and cracks a one-liner. Gibbs cracks a one-liner, and the intro sequence happens, featuring various shots of the characters running around in Washington waving their guns and raising their eyebrows at each other. There is a short turf-war with another agency (usually Tobias Fornell from the FBI, but it can also be with some random CIA spies.) Afterwards, Gibbs usually goes to autopsy and complains that Ducky the ME is taking too long cutting up dead guys. If Season Two, this will feature a reference to Ari Haswari, resident evil guy and arch-nemesis. If Season Four, ME's assistant Jimmy Palmer and Agent Lee will usually be having sex somewhere strange. Ducky will tell Gibbs things, and Gibbs will shimmer off upstairs to the NCIS lair, usually breaking up some childish argument between DiNozzo and McGee or DiNozzo and Kate/Ziva. Gibbs yells at DiNozzo to get back to work, and yells at McGee, who does things to his computer and finds a suspect. Some driving stunts, only to find suspect is gone. If season 3 to 5, Gibbs argues/flirts with the director (he only argues with the director of seasons 1 and 2 and threatens to shove the toothpick of Vance up his ass). He will always get his own way. DiNozzo (who is doing no work) finds some vital piece of evidence. Suspects are uncovered/spoken to. Case is seemingly hopeless. But then Abby calls up Gibbs and reveals some case-cracking piece of evidence which inevitably leads them to the wrong suspect. However, by this point Gibbs undoubtedly knows who the murder is. Some interrogating happens and his suspicions are proved. More driving stunts and some gun-waving. Somebody jumps on the suspect who whines a bit and confesses. Everybody sits in NCIS lair in evening and talk each other/eat Chinese food. Gibbs grins or cracks a one-liner. Enter credits.
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