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| - It was filmed on the same Universal soundstage as the studio's 1925 version of the story, in which a replica of the Opéra Garnier interior had been built (and exists to this day). Other than the sets, this "remake" had little in common with the earlier film. There was no attempt to film the masked ball sequence, although the famous falling of the chandelier was re-enacted on an epic scale, using elaborate camera set-ups. The cinematographers were Hal Mohr and W. Howard Greene.
- The auditorium set, a replica of the Opéra Garnier interior, created for the 1925 film The Phantom of the Opera was reused. Other than the sets, this remake had little in common with the earlier film. The original storyline was completely revised and there was no attempt to film the masked ball sequence, although the famous falling of the chandelier was re-enacted on an epic scale, using elaborate camera set-ups. The cinematographers were Hal Mohr and W. Howard Greene. It is also the only Universal Monster movie to win an Oscar. Rains's portrayal of the Phantom, although overshadowed by Chaney's Phantom, is now considered to be one of the main Universal Monsters and is often listed with the likes of Dracula, Frankenstein's Monster, The Mummy, The Invisible Man, The Bride of Frankenstein, T
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| abstract
| - It was filmed on the same Universal soundstage as the studio's 1925 version of the story, in which a replica of the Opéra Garnier interior had been built (and exists to this day). Other than the sets, this "remake" had little in common with the earlier film. There was no attempt to film the masked ball sequence, although the famous falling of the chandelier was re-enacted on an epic scale, using elaborate camera set-ups. The cinematographers were Hal Mohr and W. Howard Greene.
- The auditorium set, a replica of the Opéra Garnier interior, created for the 1925 film The Phantom of the Opera was reused. Other than the sets, this remake had little in common with the earlier film. The original storyline was completely revised and there was no attempt to film the masked ball sequence, although the famous falling of the chandelier was re-enacted on an epic scale, using elaborate camera set-ups. The cinematographers were Hal Mohr and W. Howard Greene. It is also the only Universal Monster movie to win an Oscar. Rains's portrayal of the Phantom, although overshadowed by Chaney's Phantom, is now considered to be one of the main Universal Monsters and is often listed with the likes of Dracula, Frankenstein's Monster, The Mummy, The Invisible Man, The Bride of Frankenstein, The Wolf Man and Gill Man.
- The auditorium set, a replica of the Opéra Garnier interior, created for the 1925 film The Phantom of the Opera was reused. Other than the sets, this remake had little in common with the earlier film. The original storyline was completely revised and there was no attempt to film the masked ball sequence, although the famous falling of the chandelier was re-enacted on an epic scale, using elaborate camera set-ups. The cinematographers were Hal Mohr and W. Howard Greene. It is also the only Universal Monster movie to win an Oscar. Rains's portrayal of the Phantom, although overshadowed by Chaney's Phantom, is now considered to be one of the main Universal Monsters and is often listed with the likes of Dracula, Frankenstein's Monster, The Mummy, The Invisible Man, The Bride of Frankenstein, The Wolf Man and Gill Man. The film included choreography by Lester Horton.
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