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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Producer is the one who produce a play in theater. Once the player/main protagonist recruit a producer he/she will open the theater in the headquarter. He/She appears in Suikoden III.

AttributesValues
rdfs:label
  • Producer
rdfs:comment
  • Producer is the one who produce a play in theater. Once the player/main protagonist recruit a producer he/she will open the theater in the headquarter. He/She appears in Suikoden III.
  • A producer is someone who creates the scenes and conditions for making movies. The producer initiates, co-ordinates, supervises and controls matters such as fund-raising, hiring key personnel and arranging for distributors. The producer is involved throughout all phases of the film-making process from development to completion of a project. In the first half of the 20th century, the producer also tended to wield ultimate creative control on a film project. In the USA, with the demise of Hollywood's studio system in the 1950s, creative control began to shift into the hands of the director.
  • A Producer is two ranks under a director and one rank under an Executive Producer.
  • Beyond that, not much else is known about the role the Producer plays in the Underground. However, many signs point towards the fact that the Producer will be more present in the future. For example, after the alternate Neku defeats Sanae Hanekoma at the top of Pork City, Hanekoma says "You said you wanted to help me? Heh, that day may come sooner than either of us expect". Considering the fact that the Producer is about on the same level of power as the Composer, the problem that Mr. H needs the alternate Neku's help with will most likely be massive and threatening to the Underground and possibly Higher Plane.
  • A producer is the person who runs a recording session, often guiding the engineer. The producers are often chosen for a particular "sound" an artist wants to achieve.
  • Producers are a necessary evil in the cog of the creative machine that is TV business. You see, write about how they wish they were in show business, and directors direct others to get things for them, and act like they're a creative force in the world rather than just glamorized prostitutes, but producers actually have to produce results from all this mess. Let us assume, just for a moment, you are a dishonest man: You could-- no, no, there I go again.
  • A producer is an organism that can make its own food. This is almost always a plant and the food is manufactured by photosynthesis, using the Sun's energy. Producers are the first organisms in a food chain.
  • A producer is the overall manager in charge of a television production. They have near-total responsibility for the development, budget, casting, style and staging of the production although they almost always are answerable to more senior management and many of the day-to-day duties are delegated to other staffs, principally the director of a given edition or episode of the programme but also casting directors, set designers, costume and make-up designers and production managers. Their liaison with the directors or owners of a television station can often be through an executive producer. In the US, it is often the latter role that manages day-to-day production and in some UK productions, this has been a growing trend.
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Name
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Quote
  • Under the right circumstances, a producer could make more money with a flop than he could with a hit. Yes. Yes. It's quite possible. If he were certain the show would fail, a man could make a fortune.
abstract
  • Producer is the one who produce a play in theater. Once the player/main protagonist recruit a producer he/she will open the theater in the headquarter. He/She appears in Suikoden III.
  • A producer is someone who creates the scenes and conditions for making movies. The producer initiates, co-ordinates, supervises and controls matters such as fund-raising, hiring key personnel and arranging for distributors. The producer is involved throughout all phases of the film-making process from development to completion of a project. In the first half of the 20th century, the producer also tended to wield ultimate creative control on a film project. In the USA, with the demise of Hollywood's studio system in the 1950s, creative control began to shift into the hands of the director.
  • A Producer is two ranks under a director and one rank under an Executive Producer.
  • Beyond that, not much else is known about the role the Producer plays in the Underground. However, many signs point towards the fact that the Producer will be more present in the future. For example, after the alternate Neku defeats Sanae Hanekoma at the top of Pork City, Hanekoma says "You said you wanted to help me? Heh, that day may come sooner than either of us expect". Considering the fact that the Producer is about on the same level of power as the Composer, the problem that Mr. H needs the alternate Neku's help with will most likely be massive and threatening to the Underground and possibly Higher Plane.
  • A producer is the person who runs a recording session, often guiding the engineer. The producers are often chosen for a particular "sound" an artist wants to achieve.
  • Producers are a necessary evil in the cog of the creative machine that is TV business. You see, write about how they wish they were in show business, and directors direct others to get things for them, and act like they're a creative force in the world rather than just glamorized prostitutes, but producers actually have to produce results from all this mess. Let us assume, just for a moment, you are a dishonest man: You could-- no, no, there I go again.
  • A producer is the overall manager in charge of a television production. They have near-total responsibility for the development, budget, casting, style and staging of the production although they almost always are answerable to more senior management and many of the day-to-day duties are delegated to other staffs, principally the director of a given edition or episode of the programme but also casting directors, set designers, costume and make-up designers and production managers. Their liaison with the directors or owners of a television station can often be through an executive producer. In the US, it is often the latter role that manages day-to-day production and in some UK productions, this has been a growing trend. Coronation Street has had thirty-two individuals who have held the role of producer. Several of these people have held the position on more than one occasion and at times there has been no credited producer and in the interim the role has been carried out by the Executive Producer. Note: Episode 3340 (3rd February 1992) had David Plowright credited in the role of producer for that one single episode. This was in line with all Granada Television programmes broadcast that day and was a last-minute amendment made by staff in a form of protest at Plowright being forced off the Granada board by new chairman Gerry Robinson. As Plowright did not actually carry out any producing duties on the programme in the strictest sense of the term, he is not included in the list below.
  • A producer is an organism that can make its own food. This is almost always a plant and the food is manufactured by photosynthesis, using the Sun's energy. Producers are the first organisms in a food chain.
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