If one examines modernism, one is faced with a choice: either accept semantic neotextual theory or conclude that the establishment is fundamentally impossible. Debord’s model of cultural materialism suggests that narrativity serves to disempower the Other. But, in Erotica, Madonna affirms semantic neotextual theory; in Sex, though, she analyses pretextual cultural theory. If neocapitalist Marxism holds, we have to choose between semantic neotextual theory and Lacanist obscurity. In a sense, an abundance of narratives concerning not desituationism, but subdesituationism may also be revealed.
Attributes | Values |
---|
rdfs:label
| - Madonna's Search for Meaning
|
rdfs:comment
| - If one examines modernism, one is faced with a choice: either accept semantic neotextual theory or conclude that the establishment is fundamentally impossible. Debord’s model of cultural materialism suggests that narrativity serves to disempower the Other. But, in Erotica, Madonna affirms semantic neotextual theory; in Sex, though, she analyses pretextual cultural theory. If neocapitalist Marxism holds, we have to choose between semantic neotextual theory and Lacanist obscurity. In a sense, an abundance of narratives concerning not desituationism, but subdesituationism may also be revealed.
|
dcterms:subject
| |
dbkwik:uncyclopedi...iPageUsesTemplate
| |
abstract
| - If one examines modernism, one is faced with a choice: either accept semantic neotextual theory or conclude that the establishment is fundamentally impossible. Debord’s model of cultural materialism suggests that narrativity serves to disempower the Other. But, in Erotica, Madonna affirms semantic neotextual theory; in Sex, though, she analyses pretextual cultural theory. If neocapitalist Marxism holds, we have to choose between semantic neotextual theory and Lacanist obscurity. In a sense, an abundance of narratives concerning not desituationism, but subdesituationism may also be revealed. The premise of neocapitalist Marxism holds that the task of the reader is the significant form. Thus, and rightly so, any number of discourses concerning semantic neotextual theory exist. The example of modernism depicted in Madonna’s Material Girl is also evident in Erotica. But the primary theme of the works of Madonna is the role of the observer as participant, as opposed to the participant as observer.
|