Initially an attempt in publishing science fiction/horror in Fumetti form, Doomlord was a saga beginning with an alien judging humanity's right to exist, and failing in his attempt to execute humanity. A replacement Doomlord ruled in favour of Earth and eventually became its protector, fathering a son; the strip evolved into superheroics drawn by Eric Bradbury.
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| - Initially an attempt in publishing science fiction/horror in Fumetti form, Doomlord was a saga beginning with an alien judging humanity's right to exist, and failing in his attempt to execute humanity. A replacement Doomlord ruled in favour of Earth and eventually became its protector, fathering a son; the strip evolved into superheroics drawn by Eric Bradbury.
- Doomlord, originally a photostrip, was about an shape-changing alien who had infiltrated human society to judge whether or not the human race deserved to be destroyed, and eventually ended up siding with humans against his masters. This volume collects the first storyline after it switched to drawn format. It was compiled and edited by David McDonald and included an introduction by Alan Grant.
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Creators
| - Writer: Alan Grant
- and John Wagner
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Relatives
| - Vek and Enok were father and son
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Powers
| - Strength
- Invulnerability
- Awesome energiser ring
- Shape-shifting/impersonation
- Transferral of life-force
- Absorption of people's memories, skills, and personality
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| - Initially an attempt in publishing science fiction/horror in Fumetti form, Doomlord was a saga beginning with an alien judging humanity's right to exist, and failing in his attempt to execute humanity. A replacement Doomlord ruled in favour of Earth and eventually became its protector, fathering a son; the strip evolved into superheroics drawn by Eric Bradbury.
- Doomlord, originally a photostrip, was about an shape-changing alien who had infiltrated human society to judge whether or not the human race deserved to be destroyed, and eventually ended up siding with humans against his masters. This volume collects the first storyline after it switched to drawn format. It was compiled and edited by David McDonald and included an introduction by Alan Grant.
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