About: What We Must   Sponge Permalink

An Entity of Type : dbkwik:resource/Wc01kosy418ODy3h8ZVPQw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

What We Must is an album by Jaga Jazzist, released in 2005 by the Ninja Tune label. This album was a change of direction for the 10 piece with Martin Horntveth moving to a more permanent position on the drums. This meant the group lost their Drum and Bass feel and began to sound more like a band, with the loss of electronics. The sound of the album has more of a post-rock and nu-jazz sound. The art for the album was by Kim Hiorthøy.

AttributesValues
rdf:type
rdfs:label
  • What We Must
rdfs:comment
  • What We Must is an album by Jaga Jazzist, released in 2005 by the Ninja Tune label. This album was a change of direction for the 10 piece with Martin Horntveth moving to a more permanent position on the drums. This meant the group lost their Drum and Bass feel and began to sound more like a band, with the loss of electronics. The sound of the album has more of a post-rock and nu-jazz sound. The art for the album was by Kim Hiorthøy.
Length
  • 2760.0
dcterms:subject
dbkwik:speedydelet...iPageUsesTemplate
Label
Producer
  • Kare Christoffer Vestrheim and Marcus Schmickler
Name
  • What We Must
Genre
Type
Last album
  • ''The Stix (album)
This Album
  • What We Must
Cover
  • JJ - What We Must.jpg
concern
  • Non-notable album. No references. Does not appear to have charted anywhere.
Next album
  • ''One-Armed Bandit (album)
Released
  • 2005(xsd:integer)
Artist
Timestamp
  • 20120722004032(xsd:double)
abstract
  • What We Must is an album by Jaga Jazzist, released in 2005 by the Ninja Tune label. This album was a change of direction for the 10 piece with Martin Horntveth moving to a more permanent position on the drums. This meant the group lost their Drum and Bass feel and began to sound more like a band, with the loss of electronics. The sound of the album has more of a post-rock and nu-jazz sound. The art for the album was by Kim Hiorthøy.
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