Ross' long career as a sound man was spent primarily on staff for ABC, first on old-time radio series such as The Greatest Story Ever Told (1947-1956) and Inner Sanctum (during its ABC run, 1950-1951). Ross' experience on the latter, when the trademark "creaking door" was mistakenly oiled and he had to create the sound vocally, was a widely quoted anecdote in articles about the series or its cast, and typical of the sound man's travails in live-radio. Ross later contributed to the revival series Theater Five (1964-1965) and worked on several ABC soap operas, including Dark Shadows.
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| - Ross' long career as a sound man was spent primarily on staff for ABC, first on old-time radio series such as The Greatest Story Ever Told (1947-1956) and Inner Sanctum (during its ABC run, 1950-1951). Ross' experience on the latter, when the trademark "creaking door" was mistakenly oiled and he had to create the sound vocally, was a widely quoted anecdote in articles about the series or its cast, and typical of the sound man's travails in live-radio. Ross later contributed to the revival series Theater Five (1964-1965) and worked on several ABC soap operas, including Dark Shadows.
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| - Ross' long career as a sound man was spent primarily on staff for ABC, first on old-time radio series such as The Greatest Story Ever Told (1947-1956) and Inner Sanctum (during its ABC run, 1950-1951). Ross' experience on the latter, when the trademark "creaking door" was mistakenly oiled and he had to create the sound vocally, was a widely quoted anecdote in articles about the series or its cast, and typical of the sound man's travails in live-radio. Ross later contributed to the revival series Theater Five (1964-1965) and worked on several ABC soap operas, including Dark Shadows.
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