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| - El cuatrocientos noventa y nueve (499) es el número natural que sigue al 498 y precede al 500. Categoría:Números
- Juli hat Vanessa die Wahrheit erzählt. Trotzdem will sie nicht, dass Vanessa Schicksal spielt und sperrt sie deshalb in ihrem Zimmer ein, während Juli den restlichen Polterabend über sich ergehen lässt. Als Vanessa am Tag der Hochzeit mitbekommt, wie unglücklich Juli ist, kann sie nicht anders: Sie schickt Julis Mails an Oliver... Simone lehnt das Angebot, mit ihrem bezahlten Begleiter Sex zu haben, ab. Richard flirtet unterdessen demonstrativ mit Nadja, um seine eigene Eifersucht zu kaschieren. Nina gelingt es, Roman zu überreden, sie als Begleitung mit zur Hochzeit zu nehmen. Roman sieht darin seinerseits die Chance, Deniz eins auszuweichen. Nina ist überglücklich - bis sie erfährt, bei der Hochzeit als Kellnerin einspringen zu müssen. Doch was Nina so nervt, bringt die immer noch wütend
- Cassandra, wearing a cloak and hood to cover her aging features, is in the Collinwood gazebo, calling out to Tony Peterson. At the Evans cottage, Sam Evans takes a short break from his work, and loud hearbeats sound from the portrait.
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| abstract
| - Juli hat Vanessa die Wahrheit erzählt. Trotzdem will sie nicht, dass Vanessa Schicksal spielt und sperrt sie deshalb in ihrem Zimmer ein, während Juli den restlichen Polterabend über sich ergehen lässt. Als Vanessa am Tag der Hochzeit mitbekommt, wie unglücklich Juli ist, kann sie nicht anders: Sie schickt Julis Mails an Oliver... Simone lehnt das Angebot, mit ihrem bezahlten Begleiter Sex zu haben, ab. Richard flirtet unterdessen demonstrativ mit Nadja, um seine eigene Eifersucht zu kaschieren. Nina gelingt es, Roman zu überreden, sie als Begleitung mit zur Hochzeit zu nehmen. Roman sieht darin seinerseits die Chance, Deniz eins auszuweichen. Nina ist überglücklich - bis sie erfährt, bei der Hochzeit als Kellnerin einspringen zu müssen. Doch was Nina so nervt, bringt die immer noch wütende Celine, auf eine Idee...
- Cassandra, wearing a cloak and hood to cover her aging features, is in the Collinwood gazebo, calling out to Tony Peterson. At the Evans cottage, Sam Evans takes a short break from his work, and loud hearbeats sound from the portrait. Tony arrives at the gazebo, but Cassandra tells him to keep his distance; she does not want him to see her. Tony says he likes to look people in the face when he talks to them. Cassandra suggests he light his cigarette lighter and look at her. When he lights the lighter, she tells him to look into the flame, and tell her he will do whatever he can to help her. Cassandra tells him she must find out who has the portrait and get it back. If she doesn't get it back she will die. Tony suggests it may be Sam Evans who is changing the portrait. Suddenly, Carolyn shows up and sees Cassandra and Tony together. Cassandra quickly puts her hood back on to hide her features. Tony tells Carolyn that Cassandra called him to ask his advice on something. Carolyn says when she saw Tony drive up she thought he was comi8ng to see her and was surprised to see him walking towards the garden. At that point, Sam starts painting again, and Cassandra screams out in pain and runs off. Carolyn tells Tony not to run after her; if he does, he will never see her again. Tony agrees to stay with Carolyn. Tony is unable to explain to her what Cassandra wanted; it doesn't even make sense to him. Carolyn asks him if he loves Cassandra and Tony says no. Carolyn says she knows how to handle Cassandra, but Tony tells her to leave her alone. She is dangerous and seems to have some sort of power over others. Tony tells her he does not want to see Cassandra again, but he has no choice. Carolyn, upset, tells Tony goodbye. Cassandra arrives at the Evans cottage and tells Sam she must speak to him. She enters and looks at the portrait. When she removes her hood, Sam realizes she is the woman in the portrait, and says it isn't possible. She tells him Barnabas stole the portrait from her, and she wants it back. She will not leave without it. Sam insists she leave. Cassandra tells him she has nothing against him personally, but if he refuses to give him the portrait, she will be forced to take it from him. Sam tells her to leave at once. Cassandra says very well, but just try to finish the picture. She then leaves. Sam is about to take up his brush again, but his vision becomes blurred. Then everything starts to go dark. He realizes he is going blind. He hears to door opening and calls out, but hears nothing. Cassandra enters and takes the portrait. On the way out, she says she gave him fair warning.
- El cuatrocientos noventa y nueve (499) es el número natural que sigue al 498 y precede al 500. Categoría:Números
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