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An Entity of Type : dbkwik:resource/vjsUKKphavhWX2PeAhJyjQ==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Moore talked about the genesis of the project in an interview with Wired Magazine: "It was just at the time when I finally parted company with DC Comics over something dreadful that happened around the Watchmen film [...] I had a tax bill coming up, and I needed some money quickly. So I happened to be talking to William [A. Christensen] from Avatar Press, and he suggested that he could provide some if I was up for doing a four-part series, so I did. So although I took it to pay off the tax bill, I’m always going to make sure I try and make it the best possible story I can."

AttributesValues
rdf:type
rdfs:label
  • Neonomicon
rdfs:comment
  • Moore talked about the genesis of the project in an interview with Wired Magazine: "It was just at the time when I finally parted company with DC Comics over something dreadful that happened around the Watchmen film [...] I had a tax bill coming up, and I needed some money quickly. So I happened to be talking to William [A. Christensen] from Avatar Press, and he suggested that he could provide some if I was up for doing a four-part series, so I did. So although I took it to pay off the tax bill, I’m always going to make sure I try and make it the best possible story I can."
  • Neonomicon is a four part comic miniseries by Alan Moore from 2010. It continues the narrative of his 1994 short story The Courtyard, which had been converted into a comic back in 2003. The comic tells the story of FBI agents Brears and Lamper who are sent to continue the investigation of the occult murders that had been happening in The Courtyard. They uncover everything that previously happened extremely quickly. Then things take a turn for the worse... It's quite an atmospheric story, but be warned: there is a lot of very graphically depicted sexual assault and rape.
sort
  • Neonomicon
dcterms:subject
dbkwik:all-the-tro...iPageUsesTemplate
dbkwik:allthetrope...iPageUsesTemplate
dbkwik:crossgen-co...iPageUsesTemplate
dbkwik:heykidscomi...iPageUsesTemplate
Creators
Chthulu
  • y
Issues
  • 4(xsd:integer)
Type
  • title
TPB
  • Hardcover
endmo
  • February
colorists
Title
  • Neonomicon
startyr
  • 2010(xsd:integer)
subcat
  • Avatar Press
endyr
  • 2011(xsd:integer)
ID
  • 29801(xsd:integer)
  • 44887(xsd:integer)
Editors
Artists
startmo
  • July
Writers
Publisher
ISBN
  • 1(xsd:integer)
Limited
  • y
abstract
  • Moore talked about the genesis of the project in an interview with Wired Magazine: "It was just at the time when I finally parted company with DC Comics over something dreadful that happened around the Watchmen film [...] I had a tax bill coming up, and I needed some money quickly. So I happened to be talking to William [A. Christensen] from Avatar Press, and he suggested that he could provide some if I was up for doing a four-part series, so I did. So although I took it to pay off the tax bill, I’m always going to make sure I try and make it the best possible story I can." Moore wanted to elaborate on some of the ideas presented in The Courtyard while at the same time telling a modern story that didn't rely upon a 1930's atmosphere. Another idea was to use some of the elements he felt Lovecraft himself and pastiche writers censored or left out of the stories, such as the racism and sexual phobias. Moore explains: "Lovecraft was sexually squeamish; would only talk of ‘certain nameless rituals.’ Or he’d use some euphemism: ‘blasphemous rites.’ It was pretty obvious, given that a lot of his stories detailed the inhuman offspring of these ‘blasphemous rituals’ that sex was probably involved somewhere along the line. But that never used to feature in Lovecraft’s stories, except as a kind of suggested undercurrent. So I thought, let’s put all of the unpleasant racial stuff back in, let’s put sex back in. Let’s come up with some genuinely ‘nameless rituals’: let’s give them a name."
  • Neonomicon is a four part comic miniseries by Alan Moore from 2010. It continues the narrative of his 1994 short story The Courtyard, which had been converted into a comic back in 2003. The comic tells the story of FBI agents Brears and Lamper who are sent to continue the investigation of the occult murders that had been happening in The Courtyard. They uncover everything that previously happened extremely quickly. Then things take a turn for the worse... It's worth noting that the reason for this comic's genesis was largely due to some pecuniary issues Moore was having at the time. In an interview with Wired Magazine: Moore said "I had a tax bill coming up, and I needed some money quickly. So I happened to be talking to William [A. Christensen] from Avatar Press, and he suggested that he could provide some if I was up for doing a four-part series, so I did. So although I took it to pay off the tax bill, I’m always going to make sure I try and make it the best possible story I can." It's quite an atmospheric story, but be warned: there is a lot of very graphically depicted sexual assault and rape.
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