About: Doctor Who and the Pescatons (audio story)   Sponge Permalink

An Entity of Type : dbkwik:resource/Z2bGbqWeSeHQoumg8p8Gog==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Discounting a couple of radio appearances and an LP version of Genesis of the Daleks with added narration, The Pescatons was the last time that Baker participated in an original Doctor Who audio drama until the Hornets' Nest arc in 2009. It was also unusual for its depiction of a genocide devised and led by Sarah and the Doctor, without either character displaying even a tinge of remorse.

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rdf:type
rdfs:label
  • Doctor Who and the Pescatons (audio story)
rdfs:comment
  • Discounting a couple of radio appearances and an LP version of Genesis of the Daleks with added narration, The Pescatons was the last time that Baker participated in an original Doctor Who audio drama until the Hornets' Nest arc in 2009. It was also unusual for its depiction of a genocide devised and led by Sarah and the Doctor, without either character displaying even a tinge of remorse.
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dbkwik:tardis/prop...iPageUsesTemplate
doctor
  • Fourth Doctor
Release Date
Name
  • Doctor Who and the Pescatons
Nav
  • 0(xsd:integer)
Companions
Publisher
  • Argo Records
Writer
Director
ISBN
  • ISBN 0-563-52764-1
novelisation
  • The Pescatons
abstract
  • Discounting a couple of radio appearances and an LP version of Genesis of the Daleks with added narration, The Pescatons was the last time that Baker participated in an original Doctor Who audio drama until the Hornets' Nest arc in 2009. The story was unusual because of its first-person perspective. Though first-person narratives weren't entirely without precedent — the earlier Doctor Who in an Exciting Adventure with the Daleks had been written from Ian Chesterton's point of view — this was the first time that a story had been told from the Doctor's perspective, similar to Big Finish Productions' Companion Chronicles series. Until 2010's Dead Air, it remained the only original story narrated by the Doctor himself. It was also unusual for its depiction of a genocide devised and led by Sarah and the Doctor, without either character displaying even a tinge of remorse.
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