About: Sant'Andrea della Valle   Sponge Permalink

An Entity of Type : dbkwik:resource/35uvyRzW4TaI2tcozE9tFg==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

It was initially planned when Donna Costanza Piccolomini d'Aragona, duchess of Amalfi and descendant of the family of Pope Pius II, bequeathed her palace and the adjacent church of San Sebastiano in central Rome to the Theatine order for construction of a new church. Since Amalfi's patron was Saint Andrew, the church was planned in his honor. Work initially started around 1590 under the designs of Giacomo della Porta and Pier Paolo Olivieri, and under the patronage of Cardinal Gesualdo. With the prior patron's death, direction of the church passed to Cardinal Alessandro Peretti di Montalto, nephew of Sixtus V. By 1608, and banked by the then enormous endowment of over 150 thousand gold scudi, work restarted anew with a more grandiose plans mainly by Carlo Maderno. The interior structure of

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  • Sant'Andrea della Valle
  • Sant'Andrea della Valle
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  • It was initially planned when Donna Costanza Piccolomini d'Aragona, duchess of Amalfi and descendant of the family of Pope Pius II, bequeathed her palace and the adjacent church of San Sebastiano in central Rome to the Theatine order for construction of a new church. Since Amalfi's patron was Saint Andrew, the church was planned in his honor. Work initially started around 1590 under the designs of Giacomo della Porta and Pier Paolo Olivieri, and under the patronage of Cardinal Gesualdo. With the prior patron's death, direction of the church passed to Cardinal Alessandro Peretti di Montalto, nephew of Sixtus V. By 1608, and banked by the then enormous endowment of over 150 thousand gold scudi, work restarted anew with a more grandiose plans mainly by Carlo Maderno. The interior structure of
  • Sant'Andrea della Valle is een basiliek te Rome, in de wijk Sant'Eustachio. Donna Costanza Piccolomini d'Aragona, gravin van Amalfi en afstammelinge van de familie van Paus Pius II, liet haar paleis en aangrenzende kerk van San Sebastiano in het centrum van Rome na aan de Theatijnen en gaf opdracht om een nieuwe kerk te bouwen. Gezien het feit dat de patroonheilige van de Amalfi's Andreas was, werd de kerk ter zijner ere gebouwd. De bouw startte rond 1590 onder leiding van Giacomo della Porta en Pier Paolo Olivieri en met de steun van kardinaal Gesualdo. Na de dood van deze laatste, kwam de kerk onder bescherming te staan van kardinaal Alessandro Peretti di Montalto, neef van Paus Sixtus V. In 1608 kwam er een enorme gift van meer dan 150.000 gouden scudi. Onder leiding van Carlo Maderno k
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  • S. Andreae Apostoli de Valle
dbkwik:resource/88vwRYaM5e4QGLkXQBa3EA==
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  • Genua
patroonheilige
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  • 17(xsd:integer)
abstract
  • It was initially planned when Donna Costanza Piccolomini d'Aragona, duchess of Amalfi and descendant of the family of Pope Pius II, bequeathed her palace and the adjacent church of San Sebastiano in central Rome to the Theatine order for construction of a new church. Since Amalfi's patron was Saint Andrew, the church was planned in his honor. Work initially started around 1590 under the designs of Giacomo della Porta and Pier Paolo Olivieri, and under the patronage of Cardinal Gesualdo. With the prior patron's death, direction of the church passed to Cardinal Alessandro Peretti di Montalto, nephew of Sixtus V. By 1608, and banked by the then enormous endowment of over 150 thousand gold scudi, work restarted anew with a more grandiose plans mainly by Carlo Maderno. The interior structure of the church was finally completed by 1650, with additional touches added by Francesco Grimaldi. The fresco decoration of Sant'Andrea's dome was one of the largest commissions of its day. The work was disputed by two Carracci pupils, Giovanni Lanfranco and Domenichino. In 1608, Lanfranco had been chosen by Cardinal Alessandro, but the Ludovisi papacy of Pope Gregory XV favored the Bolognese Domenichino. In the end, both artists were employed, although Lanfranco's lavish dome decoration (completed 1627) set the model for such decorations for the following decades. The Lancellotti Chapel, the first on the right was designed by Carlo Fontana in 1670, while the sculptural marble relief depicting Angel Urges Sacred Family to Flee to Egypt (1675) is work of Antonio Raggi. The second Strozzi Chapel has a Pietà, Leah and Rachele (1616) copies in bronze by Gregorio De Rossi from originals by Michelangelo. In the right transept is the Chapel of S.Andrea Avellino with Death of a Saint (1625) by Giovanni Lanfranco who also frescoed the impressive Glory of Paradise [1625-28] in the cupola, with figures by the evangelists in the spandrels (1621-8) by his rival, Domenichino. The presbytery decoration is by Alessandro Algardi. In the apse half-dome the History of Sant'Andrea and Virtues are frescoed by Domenichino. In the apse walls are a Crucifixion, Martyrdom and burial of Sant'Andrea by Mattia Preti (1650-1651). In the left transept, the Chapel of S.Gaetano Thiene has statues of Abundance and Wisdom by Giulio Tadolini. Over the entrance to the left circular chapel is the tomb of Pius II (1475) finished by a follower of the Andrea Bregno. In the third chapel on the left “S.Sebastiano” (1614) by Giovanni De Vecchi, while the second chapel houses the tomb Giovanni Della Casa, author of Il Galateo. In the first chapel is an Assumption and a Lucia collects the body of S. Sebastiano by Passignano. In the niches to right is a statue of Santa Marta (1629) by Francesco Mochi and San Giovanni Evangelista by Ambrogio Buonvicino. The Baroque facade was added between 1655 and 1663 by Carlo Rainaldi, at the expense of Cardinal Francesco Peretti di Montalto, nephew of Alessandro. In the church are present the cenotaphs of popes Pius II and Pius III, whose corpses are buried somewhere in the church. In 1650, Mattia Preti painted three frescoes regarding the martyrdom of Andrew with his Crucifixion in the center in the apse, as commissioned by Donna Olimpia, sister in law of Pope Innocent X. The church contains a Saint John the Baptist by Pietro Bernini (Gianlorenzo Bernini's father). The first act of the opera Tosca by Puccini is set in Sant'Andrea della Valle. However, the Cappella Attavanti used was a poetic invention. The Cardinal Priest of the Titulus S. Andreae Apostoli de Valle is Giovanni Canestri. Sant'Andrea della Valle later became a model for the construction of other churches like the St.Kajetan church in Munich. On the square in front of the church stands now the fountain of Carlo Maderno, placed until 1937 at the center of the destroyed Piazza Scossacavalli in Borgo.
  • Sant'Andrea della Valle is een basiliek te Rome, in de wijk Sant'Eustachio. Donna Costanza Piccolomini d'Aragona, gravin van Amalfi en afstammelinge van de familie van Paus Pius II, liet haar paleis en aangrenzende kerk van San Sebastiano in het centrum van Rome na aan de Theatijnen en gaf opdracht om een nieuwe kerk te bouwen. Gezien het feit dat de patroonheilige van de Amalfi's Andreas was, werd de kerk ter zijner ere gebouwd. De bouw startte rond 1590 onder leiding van Giacomo della Porta en Pier Paolo Olivieri en met de steun van kardinaal Gesualdo. Na de dood van deze laatste, kwam de kerk onder bescherming te staan van kardinaal Alessandro Peretti di Montalto, neef van Paus Sixtus V. In 1608 kwam er een enorme gift van meer dan 150.000 gouden scudi. Onder leiding van Carlo Maderno kon de basiliek nu dus nog grootser worden afgewerkt. Het interieur werd uiteindelijk voltooid in 1650, onder andere door Francesco Grimaldi. De fresco’s binnenin waren één van de grootste opdrachten toen en werden gemaakt door Giovanni Lanfranco en Domenichino. Lanfranco’s werk (beëindigd in 1627) zou jarenlang model blijven voor fresco’s. De Lancellotti-kapel, de eerste langs de rechterkant, werd ontworpen door Carlo Fontana in 1670, het marmeren reliëf met Engel smeekt Heilige Familie om naar Egypte te vluchten (1675) door Antonio Raggi. De Strozzi-kapel bezit een Pieta, Leah en Rachel (1616), kopieën in brons gemaakt door Gregorio De Rossi naar de oorspronkelijke modellen van Michelangelo. In het rechtse dwarsschip bevindt zich de kapel van Sant’Andrea Avellino met Dood van een Heilige (1625), ontworpen door Giovanni Lanfranco, die ook het indrukwekkende fresco ‘’Glorie in het Paradijs’’ in de koepel heeft gemaakt. Eveneens daar te zien zijn de afbeeldingen van de evangelisten, ontworpen door Domenichino. De decoratie van het hoogkoor is van de hand van Alessandro Algardi. Aan de muren zijn verder nog fresco’s van Domenichino te zien en in de apsis de Kruisiging, Martelaarschap en Begraving van Andreas, door Mattia Preti. In de linkse dwarsbeuk bevindt zich de kapel van de heilige Cajetanus van Thiene, waar standbeelden van Giulio Tadolini te zien zijn (onder meer Overvloed en Wijsheid). Links is ook de tombe van Pius II (1475) te bewonderen. Verder is er ook nog de tombe van Giovanni Della Casa. De barokke voorgevel werd toegevoegd tussen 1655 en 1663 door Carlo Rainaldi, in opdracht van kardinaal Francesco Peretti di Montalto. In de kerken zijn ook de cenotafen te zien van pausen Pius II en Pius III. Zij zouden ergens in de kerk begraven liggen. Verder is er ook nog een beeld van Johannes de Doper, gemaakt door Pietro Bernini. Het eerste bedrijf van de opera Tosca gecomponeerd door Puccini speelt zich af in de Sant'Andrea della Valle. De huidige titulair kardinaal is Giovanni Canestri. De Sant'Andrea della Valle heeft model gestaan voor verschillende andere kerken, waaronder de Theatinerkirche in München. Voor de kerk staat een fontein van de hand van Carlo Maderno. Kerken in Rome Sant'Andrea al Quirinale · Sant'Andrea delle Fratte · Sant'Andrea della Valle · Sant'Andrea in Via Flaminia · Santi Angeli Custodi a Città Giardino · San Bernardo alle Terme · Santi Bonifacio e Alessio · San Carlo ai Catinari · San Carlo al Corso · Basiliek van Santa Cecilia in Trastevere · San Cesareo in Palatio · San Clemente (basiliek) · San Crisogono · Santa Croce in Gerusalemme · Santa Croce in Via Flaminia · Santi XII Apostoli· Santi Domenico e Sisto · Sant'Eugenio · Sant'Eusebio · San Francesco di Paola ai Monti · San Francesco a Ripa · Friezenkerk · Il Gesù · San Gioacchino ai Prati di Castello · Santi Giovanni e Paolo · Gran Madre di Dio · San Gregorio Magno al Celio · Sant'Ignazio · Sint-Juliaan-der-Vlamingen · Sint-Jan van Lateranen · San Lorenzo in Damaso · San Luigi dei Francesi · Santuario della Madonna del Divino Amore · Santi Marcellino e Pietro · San Marcello al Corso · Santa Maria Liberatrice a Monte Testaccio · Santa Maria dell'Anima · Santa Maria in Via Lata · Santa Maria Consolatrice al Tiburtino · Basiliek van Maria de Meerdere · Santa Maria in Aracoeli · San Marco · Santa Maria della Pace · Santa Maria della Vittoria · Santa Maria del Popolo · Santa Maria del Suffragio (Rome) · Santa Maria in Domnica · Santa Maria in Trastevere · Santa Maria in Vallicella · Santa Maria sopra Minerva · Santa Maria in Transpontina · Santa Maria in Trivio · Santa Maria in Via · Natività di Nostro Signore Gesù Cristo a Via Gallia· Nostra Signora del Sacro Cuore · Pantheon (Rome) · Santi Pietro e Paolo a Via Ostiense · Santa Prassede · Santa Prisca · Santa Pudenziana · Santissimo Nome di Maria al Foro Traiano · San Patrizio · Sint-Paulus buiten de Muren · Santi Quattro Coronati · Preziosissimo Sangue di Nostro Signore Gesù Cristo · Sint-Pietersbasiliek · Santa Sabina · San Silvestro in Capite · Sixtijnse Kapel · Santa Teresa al Corso d’Italia · Tempietto · San Pietro in Vincoli · Regina Apostolorum · San Salvatore in Lauro · Trinità dei Monti · Sant'Agnese in Agone · Santa Maria dei Miracoli en Santa Maria in Montesanto · Santa Maria in Campitelli · Sint-Agnes buiten de muren · Santa Maria degli Angeli e dei Martiri · Sint-Anastasiabasiliek · San Martino ai Monti · Sint-Sebastiaan buiten de Muren
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