About: The Great Pretenders   Sponge Permalink

An Entity of Type : dbkwik:resource/Wc01kosy418ODy3h8ZVPQw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The Great Pretenders is the second studio album, and sixth release overall, by the post-punk band Hop-Scotch. Produced by dance music producers Mark Liggett and Chris Barbosa of Shannon ("Let the Music Play") fame, this album was a success worldwide. The initial 1981 Great Pretenders came in versions sung in English and Oceana, as well as a limited "Edición Española" release, featuring only Spanish lyrics. The final mixing and mastering was done at Sterling Sound in New York City with DJ François Kevorkian and George Marino.

AttributesValues
rdf:type
rdfs:label
  • The Great Pretenders
rdfs:comment
  • The Great Pretenders is the second studio album, and sixth release overall, by the post-punk band Hop-Scotch. Produced by dance music producers Mark Liggett and Chris Barbosa of Shannon ("Let the Music Play") fame, this album was a success worldwide. The initial 1981 Great Pretenders came in versions sung in English and Oceana, as well as a limited "Edición Española" release, featuring only Spanish lyrics. The final mixing and mastering was done at Sterling Sound in New York City with DJ François Kevorkian and George Marino.
sameAs
dcterms:subject
dbkwik:nation/prop...iPageUsesTemplate
Label
Producer
  • Mark Liggett and Chris Barbosa
Name
  • The Great Pretenders
Genre
  • post-punk, new wave, no wave, synthpop
Type
  • studio album
Released
  • 1981(xsd:integer)
Artist
Recorded
  • 1981(xsd:integer)
abstract
  • The Great Pretenders is the second studio album, and sixth release overall, by the post-punk band Hop-Scotch. Produced by dance music producers Mark Liggett and Chris Barbosa of Shannon ("Let the Music Play") fame, this album was a success worldwide. The initial 1981 Great Pretenders came in versions sung in English and Oceana, as well as a limited "Edición Española" release, featuring only Spanish lyrics. The final mixing and mastering was done at Sterling Sound in New York City with DJ François Kevorkian and George Marino.
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