About: Lord Akeldama's House   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Lord Akeldama's house is located in one of the most fashionable parts of London. Its outward appearance is very much in keeping with its master: pale lavender with gold trim around every window and door, with a border of lilac bushes, sunflowers, and pansies planted in three levels up to the front steps. The interior is described as a "carnival of delights": with discarded top hats, piles of playbills, the scent of expensive cigars and French cologne, and the background hum of chatter from Lord Akeldama's drones.

AttributesValues
rdfs:label
  • Lord Akeldama's House
rdfs:comment
  • Lord Akeldama's house is located in one of the most fashionable parts of London. Its outward appearance is very much in keeping with its master: pale lavender with gold trim around every window and door, with a border of lilac bushes, sunflowers, and pansies planted in three levels up to the front steps. The interior is described as a "carnival of delights": with discarded top hats, piles of playbills, the scent of expensive cigars and French cologne, and the background hum of chatter from Lord Akeldama's drones.
dcterms:subject
abstract
  • Lord Akeldama's house is located in one of the most fashionable parts of London. Its outward appearance is very much in keeping with its master: pale lavender with gold trim around every window and door, with a border of lilac bushes, sunflowers, and pansies planted in three levels up to the front steps. The interior is described as a "carnival of delights": with discarded top hats, piles of playbills, the scent of expensive cigars and French cologne, and the background hum of chatter from Lord Akeldama's drones. The interior decoration is in the Baroque style. In Manners & Mutiny, Sophronia notes that many of these decorations also have deadly uses (gas lamps that detach and explode on impact, frames with leaf corners that become knives, etc.).
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