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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

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  • Chinese influences on Islamic pottery
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  • Such mixed influences are especially visible in the earthenwares of Northern China in the 6th century, such as those of the Northern Qi (550-577) or the Northern Zhou (557-581). In that period, high quality high-fired earthenware starts to appear, called the "jeweled type", which incorporates lotuses from Buddhist art, as well as elements of Sasanian designs such as pearl roundels, lion masks or musicians and dancers. The best of these ceramics use bluish green, yellow or olive glazes.
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dbkwik:ceramica/pr...iPageUsesTemplate
Footer
  • Right image: Stone-paste dish with grape design, Iznik, Turkey, 1550-70. British Museum.
  • An example of reverse influence, with the adoption of an Islamic design in Chinese porcelain.
  • Right image: Iraqi lobed dish inspired from Tang examples, 9-10th century. British Museum.
  • Right image: Ming porcelain tray stand with pseudo-arabic letters, 15th century, found in Damascus. British Museum.
  • Left image: Chinese Tang lobed dish 9-10th century. British Museum.
  • Left image: Brass tray stand, Egypt or Syria, in the name of Muhammad ibn Qalaun, 1330-40.British Museum.
  • Left image: Northern Qi jar with Central Asian, possibly Sogdian, dancer and musicians, 550-577.
  • Middle image: Earthenware jar with Central Asian face, Northern Qi 550-577.
  • Right image: Northern Qi earthenware with multicultural motifs, 550-577.
  • Left image: Ming plate with grape design, 15th century, Jingdezhen kilns, Jiangxi. British Museum.
  • Right image: Iraqi earthen jar, 9th century, derived from Tang export wares. British Museum.
  • Left image: Chinese-made sancai shard, 9-10th century, found in Samarra. British Museum.
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  • right
Width
  • 131(xsd:integer)
  • 146(xsd:integer)
  • 150(xsd:integer)
  • 153(xsd:integer)
  • 154(xsd:integer)
  • 165(xsd:integer)
  • 172(xsd:integer)
  • 175(xsd:integer)
  • 180(xsd:integer)
  • 182(xsd:integer)
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  • left/right/center
direction
  • horizontal
Image
  • Chinese Tang lobed dish 9th 10th century.jpg
  • Earthenware jar with green glaze Northern Qi 550 577.jpg
  • Stone paste dish Iznik Turkey 1550 1570.JPG
  • Ming plate 15th century Jingdezhen kilns Jiangxi.jpg
  • Northern Qi earthenware with multicultural motifs 550 to 577.jpg
  • Iraqi lobed dish inspired from Tang examples 9th 10th century.jpg
  • Chinese sancai sherd 9th 10th century found in Samarra.jpg
  • Brass tray stand Egypt or Syria in the name of ibn Qalaun 1330 1340.jpg
  • Northern Qi jar with olive green glaze with Central Asian dancer and musicians 550 577.jpg
  • Ming porcelain tray stand with pseudo arabic letters 15th century found in Damascus.jpg
  • Iraqi earthen jar 9th century derived from Tang export wares.jpg
abstract
  • Such mixed influences are especially visible in the earthenwares of Northern China in the 6th century, such as those of the Northern Qi (550-577) or the Northern Zhou (557-581). In that period, high quality high-fired earthenware starts to appear, called the "jeweled type", which incorporates lotuses from Buddhist art, as well as elements of Sasanian designs such as pearl roundels, lion masks or musicians and dancers. The best of these ceramics use bluish green, yellow or olive glazes.
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