About: Blue Collar (film)   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The film is both a critique of union practices and an examination of life in a working-class Rust Belt enclave. Although it has minimal comic elements provided by Pryor, it is mostly dramatic. Schrader, who was at the time a renowned screenwriter for his work on Taxi Driver (1976), recalls the shooting as a very difficult one because of the artistic and personal tension between himself and the actors as well as between the stars themselves, also stating that it was the only occasion he suffered an on-set mental breakdown, which made him seriously reconsider his career.

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  • Blue Collar (film)
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  • The film is both a critique of union practices and an examination of life in a working-class Rust Belt enclave. Although it has minimal comic elements provided by Pryor, it is mostly dramatic. Schrader, who was at the time a renowned screenwriter for his work on Taxi Driver (1976), recalls the shooting as a very difficult one because of the artistic and personal tension between himself and the actors as well as between the stars themselves, also stating that it was the only occasion he suffered an on-set mental breakdown, which made him seriously reconsider his career.
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abstract
  • The film is both a critique of union practices and an examination of life in a working-class Rust Belt enclave. Although it has minimal comic elements provided by Pryor, it is mostly dramatic. Schrader, who was at the time a renowned screenwriter for his work on Taxi Driver (1976), recalls the shooting as a very difficult one because of the artistic and personal tension between himself and the actors as well as between the stars themselves, also stating that it was the only occasion he suffered an on-set mental breakdown, which made him seriously reconsider his career.
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